March 2024 message to the animation industry; Comic book spirituality
Expanding the wings of my Birdman identity, I explain my goal of expanding philosophy of comic books they ruined, and how this prevented enjoying my personal life before I was evicted.
Oil-Worlds continues with chapter 11, Juggernaut Wheatley: “The nightmare dirigible of technological chaos, the inner lights of Wheatley glowed. Outside of his original core within the mecha, Wheatley was known as a boss monster of grand reality. Shredding throughout dimension after dimension, leaving a path of destruction in his wake translated into Earthian colors and Alien colors.”
As I begin this article the Divine Calendar synchronizes for my development of Cosmic theology. Numbers of Divinity; 5th Dimension; Rings. Regrettable events like a legendary philosopher dying networking throughout the 5th Dimension like Bible verses do to give solace, which before Cosmic theology was not conscious. A significant event to heaven is this article, which commemorates finally getting to participate in the world for the first time in my life.
After I got evicted I've gone with my mom. In my work I am identified with blue and my brother with red, and making it was a way to connect with my brother while he was in jail. She brought his giant dog named Blue, which shows that he did the same thing; I am identified as a monstrous dog in my work with dog psychology, as towards girls of your industry. My mom calls him a monster and talked about getting me motivated and bringing out the monster when she picked me up. This is the creative spirituality your industry skipped out on.
My monster dog presence was villified for Homestuck as art people of the time considered their own perspective first, me threatening their careers while the Homestuck kids represent taking advantage of my Revolution for their careers in various flavors. But my own content combined 101 Dalmatians + Four Past Midnight's The Sun Dog to form Smiledog as my masculine presence progressively guarding and intimidating in the proximity of friendly girls, a realized adulthood power I have been testing on Batty. An expression of being in the model of the Birdman, which connects to Lord English through UK culture supplying the term bird in reference to women, this was also a humorous threat to my enemies like Andrew as Smiledog power needed to be crippled so I could not form my "flock" of girl artists properly... to revolutionize society and make the world a better place for everybody. One of the things that upset my brother was referring to my dog Shadow with "poor dog", not knowing that our family pet had become a villain of the biggest internet thing, a villain until with ipgd on the team he became a dumb girl joke.
Left: Dril commemorates my eviction as a "death" as signified by the Citizen Soldier song Dead-End Life. Reflecting my incredibly deprived life as still heavenly, the various figures symbolize the dimensions of that existence like studying "Caliborn's black hole" which is now erupting into Society doing things like recontextualizing Wheatley. Various famous Rick James songs, and being obsessed with telling people like femanon artists when they get things right, which is reflected in Hazbin Hotel's Alastor. The next tweet indicates my Illumination of industry wealth being dependent upon me, policing all unlucid excess, and "POTUS"=cultural leader. Right: reflects people being punished with being confined by the Imperial Blockade of my Initiative and in other ways. Cosmic theology has many reasons to upset Protestants, but highlighting my Smiledog presence as people "sucking dog dick" is an answer to being tormented as a teenager with thousands of references to sucking John K's dick while I saw him as a father figure, my biological dad still struggling with giving a shit about his kids.
This resonates with me forming the crack of glass in the status quo of animation. I fantasize about being Bec Noir, spreading devastation throughout the materialist world for separating me from ipgd. “Sirens” then represents unfriendly women who tried to sway me with their narratives and sentiments, but they were completely detached from reality, loving to force themselves on others like Grandma instead of understand others like my mom.
Hello. Your industry people have had a lot of anxiety about the value of their careers, and in the late 00s John Kricfalusi had a free cartoon school on his blog. I was an instructor for it. My teachings obviously developed from his ideas, but they were still distinct from the start. An example of my early critique that was very notable was “these superheroes look like mannequins flailing in mud, and they don't even open their mouths to talk.” I highlighted a lack of liveliness, an overreliance on photo reference, a need for vibrant organic life. This made a big impact and later comics that reflected my POV were made or developed.
Unsounded is made by an artist who has posted on /co/ throughout the timespan of it. There's a flowing character to the style which seemed overpowering when I first followed it, a strong flavor. It puts an emphasis on the value of life like my life and artistic philosophy.
The artists who followed my philosophy were girls. With some exceptions like Zack of Paranatural, who referenced myself and ipgd's bizarre passionate friendship. ipgd took it extremely seriously. I myself was rather distracted by things like the cacophony of harassment I received. Years earlier there was a peaceful climate, the yelling mainly confined to John K and animation criticism discussions. But, they couldn't handle some random person becoming an authority on comic books. And my focus was comic books and webcomics.
The girls I inspire have a strong “backbone”, not so swayed by social environments as was the norm of femininity during my lifespan. This follows directly from my mother and my sister. My organic take on artwork transmits organic qualities, and I was developing a philosophy to explain how all this works, but an insane cacophony in 2011 prevented that introduction, which I planned for Anomalous Phenomena. Social justice swooped in to obstruct organic individuality and demolished every artistic community it touched, leaving artists like behind Unsounded looking mighty strong after all that.
Meanwhile the “on-model” dogma of the animation industry really amounts to accepting group identities. This acceptance would be very difficult if independent artists were thriving and becoming organized in friendly communities. As was developing when “/co/ is love” was a popular meme. And so, animation students and similar types melted down on me since 2007, never exhibiting a real personality, having the same 12 or so spastic behaviors which I took seriously to encourage them to take their humanity seriously, even though it led to a good friend criticizing me for having the same discussions. In 2010 my effort to get a start in life disintegrated, and so I broke under the effort to be charitable to your animation students, and indeed teach them something more valuable than they will learn from their animation schools for free. Including how to get a nice career in your crumbling industry.
The problems I faced as a teenager were some of the most distressing ones I could have potentially faced, but retroactively I see that God gave me feast after feast of glory. Leading to my dramatic course-correction for the entire internet age, which skipped past things like studying the Cosmic theology of Lord of the Rings, the massive failure of Amazon's TV show another gesture from heaven to stop being so stupid.
They claimed that I wanted to make a cartoon. I did not. My comic books were embodying Cosmic theology. One of them got together Cosmically-uplifted mythologies to trigger epic battles during the end times. All of the artists I inspired were being ordered around my introduction of Cosmic theology. Zack making a page referencing my and ipgd's “smut” illustrated the primal internals of our creative process, in a smiledog way. People just went around shrieking and refused to stop and listen to what I was introducing. I was illustrating rather than explaining everything, and so it was easy to avoid looking at the illustrations for at least some time.
Left: Vivzie aims to illustrate my merits after I put everything into supporting her work, including my reputation as a Christian. Her artistic vision traces back to my teenage efforts, where I was crushed by things like Homestuck perverting and making a mockery of my efforts. And so I was not roused to become like I was as a teenager, which drew on my futuristic self which I indeed saw as a father figure, and others can. My number one motivation was protecting Michelle of Ava's Demon and other girl artists I properly inspired. Right: my Revolution has to do with human individuality. I was in fact granted the authority by God to expand human uniqueness through Cosmic theology. This forms an alternate sort of free will that can be associated with self-determination. My enemies in spiritual life became incredibly angry that this doesn't mean seperating from doctrine and hierarchy, and so they stole the energy and twisted the concepts of my Revolution for lawlessness like Homestuck fandom, undergoing a progressive cursed state after I went into isolation. To torture me for wresting things they forgot from them, like soul merger and cinematic experiences in real life or being filled with wonder at national brands, they would spread memes about things like having lovely Catholic parents who don't accept their degenerating identities while refraining from meming about things like the profound levels of uniqueness explored by Vivzie's characters before my Initiative. I avoided looking at much of any of the internet so people could enjoy things I desired without swarms of bug behavior getting rid of it because I'm monitoring and reacting to it.
The kind of image that hits hard with smiledog energy, which i need to harvest from their artist brains so they stay calm. This also plays off of her Achilles and Mars intimately interacting about her strength in the latest pages; i punch gay deer punched me in the first place by posting smiledog, completely reshaping my mind due to the supernatural power behind it at the time.
Andaerz who came out of Homestuck reflects feedback I gave on /ic/ that little doodles were better than finished art for being based. Despite all of the bloviating people did for control of narratives my legacy remains. On /ic/ my haters expressed the desire to spam my page out of the industry desire to make lots of noise and product clamor to outweigh my obvious infinitely Superior merits. They didn't want their big expensive productions to be dismissed, but they were anyway as they oppressed my life.
The people of your industry lack concern for people who live outside of Los Angeles. Would you rather have a parent who loves you or wants to control you? I know what both are like since Grandma came in after your Millennials completely clobbered my effort to leave poverty to have part of my disability check and someone she could abuse while everyone else who gets tired of her crap kicked her out. It took like 8 years to even have the disability check, and my dad skipped out before he became a Christian, and my mom was crushed by the real life disasters; imagine making cartoons to have the opportunity to torment teenagers before they even leave High School age. For the offense of making the online environment too hard and lively for them.
The animation industry anons got off on acting as if they controlled my contributions as by interpreting them, but in artistic spirituality that is the dull-minded behavior i have critiqued thoroughly since 2012. Portal 2 fully contextualized the actual nature of their behavior as contributing one of my personas to the abstract dimensions of society, burning their "input" as creating a moronic interface between my bodies of philosophy and artistry and places like the animation industry and the games industry outside of Valve. With "Bob Ross power" they reflected my Smiledog branding and Underbeast activity without needing to be taught what those were, as with Hazbin Hotel. Rendering the prospects of Portal 3 and other things fraught with issues, as industry people failed to understand the Ren and Stimpy style relationship between the AIs, which involves just general literacy of relationships with women, that those overgrown kids completely failed at, damaging the lives of dozens of women in their industry like Coelasquid who understood me very well, dimensionalizing GlaDOS as a meta-entity of their contributions to internet culture, amongst other dimensions. As I'm going to make an article to explain fully, "potatoes" represent mediocre members of art industries that lack volition and original creativity.
This comes in part from feminists gradually unconsciously realizing that some of their most intensive efforts against Patriarchs were against me, who fucking loves associating with tons of women who are strong and independent in a good way. There's no escape from the hell nightmare, if they can feel strongly about abortion they can feel strongly ruining the proper context for Steven Universe and the Owl House until they lose their minds.
My plan involved shaming Blizzard for not making Warcraft 4 by making my version from my alternate universe. People doing their best to interfere with my creative process, Amid Amidi starting a witch hunt, helped people avoid seeing how the fondness for the work of my predecessors is reflected in my own work completely, so they could steal the energy of my online movements for “I hate everything made before 2012” wokes.
One of the special messages my life is illustrating is that people can act against nature, but they can't change it. I have a billionaire-quality brain. Hazbin Hotel reflecting all my most lovely jokes in my mental dimension, like Smiledog ones, was necessary to heal. Batty being an incredibly lovely anon friend was necessary to heal. Random things I have inspired networking memes to bore into my soul were necessary to shed titanic callouses of trauma.
This is exactly my perspective on AI. I consider it a great opportunity to give up on groupthink artwork, a gift from God - if you're willing to give up the careerist philosophies of Mammon. In my assessment all very simple, people went in mystifying loopdeloops away from my actual view, Batty had the keen insight to follow my philosophy however i posted it. Dimensions of my philosophy also inhering in the work of other artists, aligned by gravitational philosophical waves.
Aww
Meanwhile, let's go back to me branching out into comic books as my specialty for the late 00s. Your students obsessively tore that down so they wouldn't have to live in “John K world”. Meanwhile the whole point of me associating with John so strongly was 1. mentorship 2. Focus 3. My Based moment of people seriously thinking I was him showing I have what it took to be a billionaire. My work is associated with Stephen King, Terry Pratchett, Neil Gaiman, Walt Disney, Crisis on Infinite Earths, Red Shirt Shaggy, Christopher Nolan, HP Lovecraft, Steven Spielberg, Kurt Vonnegut, The Nightmare before Christmas, A Nightmare on Elm Street, Twisted Metal, Metal Gear Solid, Salvador Dali, Child's Play, Eminem, Warhammer 40k, Gurren Lagann, The Twilight Zone, Space Jam, Lord of the Rings, Lil Wayne, and many other things. I planned to name my firstborn son after Gabe Newell.
Michelle gave me the honor of being designated a Birdman by channeling the creative energies of my Revolution while most others near the Homestuck fandom were just mocking the power source with characters like Eridan, for the females, or Kankri, for the males. Her webcomic looking like art out of my spiritual visions, but actually being real, required an intense personal connection. Odin represents the Birdman with Loki representing the Trickster, just as Daffy Duck represents the Birdman while Bugs Bunny represents the Trickster, Norse mythology is a creative source for Looney Tunes, refurbishing the good of paganism, while Ava's Demon refurbished the good of being a Homestuck fan, later leading to things like Batty's work. ipgd's friend Atomic connected to my Birdman power, the lack of interest in actually reading a popular franchise developed from the lack of interest of true Homestuck fans, Gravity Falls fans, etc. in the creative source powering their experiences with those works: myself and my Cosmic existence. Just as I completely lost interest in experiencing new artwork before Hazbin Hotel, as anti-Cosmic art appreciation is a completely profane environment and I'd rather just stay in my brain. As a cultural leader I actually mediate people's experiences as a Birdman, hence one of the reasons for the psychotic freakouts that I wasn't experiencing new works or even grasping how other people were.
AI got these right on the first fucking try. Nothing has stopped your people from seeing it besides the willful intention of your culture. (Not knowing shit about art outside of your products contributes, but that is also its willful intention) after I gave up on interacting with your millennials, the first thing I did was list some of my inspirations, as I came down from the craziness of the then-discourse. But again, they didn't stop to listen because they were locked into the ill course of their wrongful approach to art and life.
Just as Godzilla connects to my identity as Abaddon, the Destroyer, preparing the emergence of Locusts to devastate my enemies in many different versions of this devastation including the end times; Mothra connects to ipgd as cultural leader, orienting Hazbin Hotel and much other artwork towards me, arranging the artwork that nourishes my brain on a daily basis from the various artists I discuss, and sending silky strands throughout society from interpersonal connections, aesthetics, developments in legacies of projects, memes, and in other ways. Her Mothra identity, itself, counts as a locust, having patriarchal authority, and I see it looking back at me on a daily basis.
Conclusion
While you people and people like you were farting about with social justice, strikes, boycotts, cancel culture, seeking control of the artistic experiences of the public, grooming, pushing the persecution of Zeurel for being clearly influenced by Doug TenNapel and John K, and many other lousy mistakes, - most of all “MUH CAREER”, a pure trap of Mammon - you completely missed that comic books are a part of real life existence developing into the end times. Protestants laughed at them because they didn't want to picture fighting supervillains in heaven. I do. It turns out that God has his own supervillains and they appreciate the kind of appreciation that requires becoming a supervillain yourself, before it's easy to accept that they exist… or will exist, and have pre-existent presence, like certain classic supervillains.
I was already developing all this at 15 and the Multiverse will allow you to catch up and get over all the emotions that tended to have everything to do with what I discuss in this article all by itself, childish emotions stretched and contorted to now be put to rest so people can acknowledge their family pets and friendships, if they’re a guy like me.
After my Revolution fell apart I experienced constant bliss coexisting with incredibly meaningful excruciating pain from things like my young adult life falling apart. I was excluded from the wasting away of life, with girl artists being Earthly contributors to those visions. If people were willing to accept today that developing power like in Dragon Ball Z is real, Toriyama would not be dead.
