March 2024 message to the animation industry; Comic book spirituality
manlyburger.substack.com
March 2024 message to the animation industry; Comic book spirituality
Expanding the wings of my Birdman identity, I explain my goal of expanding philosophy of comic books they ruined, and how this prevented enjoying my personal life before I was evicted.
Oil-Worlds continues with chapter 11, Juggernaut Wheatley: βThe nightmare dirigible of technological chaos, the inner lights of Wheatley glowed. Outside of his original core within the mecha, Wheatley was known as a boss monster of grand reality. Shredding throughout dimension after dimension, leaving a path of destruction in his wake translated into Earthian colors and Alien colors.β
After I got evicted I've gone with my mom. In my work I am identified with blue and my brother with red, and making it was a way to connect with my brother while he was in jail. She brought his giant dog named Blue, which shows that he did the same thing; I am identified as a monstrous dog in my work with dog psychology, as towards girls of your industry. My mom calls him a monster and talked about getting me motivated and bringing out the monster when she picked me up. This is the creative spirituality your industry skipped out on.
This resonates with me forming the crack of glass in the status quo of animation. I fantasize about being Bec Noir, spreading devastation throughout the materialist world for separating me from ipgd. βSirensβ then represents unfriendly women who tried to sway me with their narratives and sentiments, but they were completely detached from reality, loving to force themselves on others like Grandma instead of understand others like my mom.
Hello. Your industry people have had a lot of anxiety about the value of their careers, and in the late 00s John Kricfalusi had a free cartoon school on his blog. I was an instructor for it. My teachings obviously developed from his ideas, but they were still distinct from the start. An example of my early critique that was very notable was βthese superheroes look like mannequins flailing in mud, and they don't even open their mouths to talk.β I highlighted a lack of liveliness, an overreliance on photo reference, a need for vibrant organic life. This made a big impact and later comics that reflected my POV were made or developed.
The artists who followed my philosophy were girls. With some exceptions like Zack of Paranatural, who referenced myself and ipgd's bizarre passionate friendship. ipgd took it extremely seriously. I myself was rather distracted by things like the cacophony of harassment I received. Years earlier there was a peaceful climate, the yelling mainly confined to John K and animation criticism discussions. But, they couldn't handle some random person becoming an authority on comic books. And my focus was comic books and webcomics.
Meanwhile the βon-modelβ dogma of the animation industry really amounts to accepting group identities. This acceptance would be very difficult if independent artists were thriving and becoming organized in friendly communities. As was developing when β/co/ is loveβ was a popular meme. And so, animation students and similar types melted down on me since 2007, never exhibiting a real personality, having the same 12 or so spastic behaviors which I took seriously to encourage them to take their humanity seriously, even though it led to a good friend criticizing me for having the same discussions. In 2010 my effort to get a start in life disintegrated, and so I broke under the effort to be charitable to your animation students, and indeed teach them something more valuable than they will learn from their animation schools for free. Including how to get a nice career in your crumbling industry.
They claimed that I wanted to make a cartoon. I did not. My comic books were embodying Cosmic theology. One of them got together Cosmically-uplifted mythologies to trigger epic battles during the end times. All of the artists I inspired were being ordered around my introduction of Cosmic theology. Zack making a page referencing my and ipgd's βsmutβ illustrated the primal internals of our creative process, in a smiledog way. People just went around shrieking and refused to stop and listen to what I was introducing. I was illustrating rather than explaining everything, and so it was easy to avoid looking at the illustrations for at least some time.
The people of your industry lack concern for people who live outside of Los Angeles. Would you rather have a parent who loves you or wants to control you? I know what both are like since Grandma came in after your Millennials completely clobbered my effort to leave poverty to have part of my disability check and someone she could abuse while everyone else who gets tired of her crap kicked her out. It took like 8 years to even have the disability check, and my dad skipped out before he became a Christian, and my mom was crushed by the real life disasters; imagine making cartoons to have the opportunity to torment teenagers before they even leave High School age. For the offense of making the online environment too hard and lively for them.
One of the special messages my life is illustrating is that people can act against nature, but they can't change it. I have a billionaire-quality brain. Hazbin Hotel reflecting all my most lovely jokes in my mental dimension, like Smiledog ones, was necessary to heal. Batty being an incredibly lovely anon friend was necessary to heal. Random things I have inspired networking memes to bore into my soul were necessary to shed titanic callouses of trauma.
Aww
Meanwhile, let's go back to me branching out into comic books as my specialty for the late 00s. Your students obsessively tore that down so they wouldn't have to live in βJohn K worldβ. Meanwhile the whole point of me associating with John so strongly was 1. mentorship 2. Focus 3. My Based moment of people seriously thinking I was him showing I have what it took to be a billionaire. My work is associated with Stephen King, Terry Pratchett, Neil Gaiman, Walt Disney, Crisis on Infinite Earths, Red Shirt Shaggy, Christopher Nolan, HP Lovecraft, Steven Spielberg, Kurt Vonnegut, The Nightmare before Christmas, A Nightmare on Elm Street, Twisted Metal, Metal Gear Solid, Salvador Dali, Child's Play, Eminem, Warhammer 40k, Gurren Lagann, The Twilight Zone, Space Jam, Lord of the Rings, Lil Wayne, and many other things. I planned to name my firstborn son after Gabe Newell.
AI got these right on the first fucking try. Nothing has stopped your people from seeing it besides the willful intention of your culture. (Not knowing shit about art outside of your products contributes, but that is also its willful intention) after I gave up on interacting with your millennials, the first thing I did was list some of my inspirations, as I came down from the craziness of the then-discourse. But again, they didn't stop to listen because they were locked into the ill course of their wrongful approach to art and life.
Just as Godzilla connects to my identity as Abaddon, the Destroyer, preparing the emergence of Locusts to devastate my enemies in many different versions of this devastation including the end times; Mothra connects to ipgd as cultural leader, orienting Hazbin Hotel and much other artwork towards me, arranging the artwork that nourishes my brain on a daily basis from the various artists I discuss, and sending silky strands throughout society from interpersonal connections, aesthetics, developments in legacies of projects, memes, and in other ways. Her Mothra identity, itself, counts as a locust, having patriarchal authority, and I see it looking back at me on a daily basis.
Conclusion
While you people and people like you were farting about with social justice, strikes, boycotts, cancel culture, seeking control of the artistic experiences of the public, grooming, pushing the persecution of Zeurel for being clearly influenced by Doug TenNapel and John K, and many other lousy mistakes, - most of all βMUH CAREERβ, a pure trap of Mammon - you completely missed that comic books are a part of real life existence developing into the end times. Protestants laughed at them because they didn't want to picture fighting supervillains in heaven. I do. It turns out that God has his own supervillains and they appreciate the kind of appreciation that requires becoming a supervillain yourself, before it's easy to accept that they existβ¦ or will exist, and have pre-existent presence, like certain classic supervillains.
I was already developing all this at 15 and the Multiverse will allow you to catch up and get over all the emotions that tended to have everything to do with what I discuss in this article all by itself, childish emotions stretched and contorted to now be put to rest so people can acknowledge their family pets and friendships, if theyβre a guy like me.