I address people's issues with my process of making artwork more personal while highlighting the ways it has become so while people refused to acknowledge it.
With cosmetology — hehe, Cosmic theology - basic artistic principles like construction which John K discussed regularly expand to include things like constructing the meaning of the characters, RARE is highly developed in this way including playing on my last name meaning “Raw.” The pedophilic activity of Spumdonors was to encourage me not to develop this which was already implicit in John's philosophy as when he discussed Radio Stars. Then this made cartoonist women I connected with as a minor sick as they received my new philosophy I was developing - as they communicated yesterday with weird memes - and the Spumdonors continually wore me down about it throughout the 10s as I languished in the abusive household they intentionally abandoned me in. This way they wouldn't have to think about me, or Atomic, or Batty, etc., while watching Fullmetal Alchemist, judge how good of a motivation that is compared to my high-minded motivations since I was 15
This song from 4 days ago mainly involves what can be a statement from myself to Vivzie, involving recent thoughts and emotions including ones I wish I felt better. My passionate striving as an artist directly fuels creativity. “Past being over” relates to me retroactively nuking the lives Vivzie and others lived in real life to be recontextualized by overturning hater narratives. This also connects to Praying by Kesha featured at the beginning of Hauntlyre Eternal Prelude. In a Homestuck thread, they seemed to meme about VivziePop receiving so much attention from me as “FAT MEATY BITCH”; Jane Crocker is therapeutic for my mental disturbances caused by societal femininity disregarding my Birdman identity as it developed.
This relates to my introduction of RA-RE. The Underrealm contains rapping monsters largely associated with the Strikeverse, which bounce to my mental beat, RA-RE extending out of that to be more physical. This spiritual context surfaces in things like comments.
This sounds like a description of Caliborn. Contrary to cancel culture I don't believe in reputational attacks, I sincerely believe in social justice if you disregard everything associated with the term. Things like reputational attacks can also apply to God, and so I opened myself up to having all of his most negative perceptions seen in myself, personalizing this general characterization of God so that people can get over it. Fictional characters being born from the intense negativity I received online from internet atheists - represented by Sollux - and others. Furthermore, Edward Feser highlights certain Cosmically sardonic characters I felt strangely similar to, and with Richard Dawkins innovating memes, eventually this quote can memetically connect to the “old testament God”, as distinct from God, being a fictional character amongst those. He doesn't need to change it upon conversion, especially with the greater nuance to quotes brought by Cosmic theology.
This relates to the Cosmic event of earning the right to create the Underrealm in about 2009. Hence Caliborn's strange assertions of being the greatest artist already. Showing his deviantART page connected to people obsessing over my page and my activity elsewhere as if they would find artwork to blow their mind while I was simply trying to make friends like ipgd, who contributed to Andrew’s writing. And so the meaning of sequences like this one - people like on 4chan claiming the Caliborn sequences were worth reading Act 6 for alone - were directly driven by personal experiences in my life, sometimes basically literal, and I had the unique problem of being a celebrity without people being willing to Grant how this new type of celebrity should be treated online.
And so came the complaint that artwork was becoming about real people, or rather too much about them in their eyes. This was not clearly communicated because they didn't want me to have that kind of authority, which contributed to God creating the Multiverse as an eschatological event due to shamefully trying to skip past important processes for this world.
A meme with “kid-friendly smiledog energy”, a motion of the Holy Spirit. Protestantism destroyed the context of what I am doing, which is realigning artistic mediums to be properly aligned with the heavens for the first time after they were thoroughly developed in the 20th century. Just as the Apostles realigned many things about the world after Jesus's sacrifice like the need to be connected to the Catholic Church. The Arts were not much of a subject at the time, but the idea that God would not consider the spiritual significance of the Arts worth addressing before the end times is absurd. And so because of Protestants it looks like it's just happening randomly. This became part of my brand: “I'm just a random Guy” for introducing Cosmic theology, which helped create the sensation of smiledog energy in people's minds because they were feeling that Protestants were getting punished for fighting the spiritual significance of the Arts. And going back to today, God gives a solemn warning to the animation industry and others to listen to my emails
One of the people I follow supports how long my messages are. My writing has a special power to expand in meaning far beyond what I actually write, and so endangers industry people and others for letting their male Zoomers lash out against me for the slightest jokes and social interaction. If they don't listen to me.
I was already becoming personally reflected in things like random children's cartoons from storyboarders listening to my critiques and laughing at my jokes, etc., and that happened for a few years before people started to go insane about it. They wondered “why it wasn't good enough” and my goal could be simply summarized as creating a world where if I was born into it I would not live out a cosmic nightmare. Protestants rebelled against the importance of human beings in Eternal lives, and so they specifically preemptively destroyed the lives of those like me who would become most important from their spiritual significance rather than money, etc.
This tweet chain single-handedly gave me the idea for this article. It revives Batty’s voice in my mind not only from HSG, but actually my imagination, contributing to my mental cosmology. I was a big fan of Fullmetal Alchemist but I never got to talk about this stuff because people didn’t give me an artistic personal life, and so one thing this relates to is her going insane about my affection for Fullmetal Alchemist translated in a variety of ways; this is actually important for my process of creating unique creativity like I'm alchemizing my youthful experiences, but random dude art students screamed at me “what do you like”, which was like seeking to abort my creativity, fueled by Alex Hirsch’s motions in the industry. 2. I actually identify myself with Edward and my brother with Alphonse, a ghostly presence in my creative effort after I sought to revive the amazing creative spirit I sensed in my mother, which required overturning Protestantism. I'm not going to start sharing those personal experiences with just anybody. 3. Batty realizes she is entwined in this personal narrative as a Nina-Type, a meta-symbol for my revolution of a girl merged with my Smiledog branding. And perhaps in other ways to be explored 4. She comments on the strange interfacing of meaning which particularly speaks to my brain: “how does this stuff mean things properly?” 5. “Resembool” suggests the creator of Fullmetal Alchemist specifically set up these weird tools of meaning for my Revolution and she's using them.
Their material priorities looked away from heaven, getting to go to Hollywood and having a nice career and having a pleasant social environment. Completely disconnected from an overall point, as someone like me loves to imagine how Saints and Traditions will be reflected in heaven. Protestants don't. Other people basically become therapeutic, sources of feelings and enjoyment and relieving of pain. I feared -viewed those things as stubs. My vision was so big that I wanted to go beyond the entirety of normal human experience. And really a lot of what I was aiming for could have simply existed in an alternate universe where Protestantism didn't exist, and I didn't want to merely repair things like Doc Scratch in Homestuck. And so Protestantism made it look like I had incredibly lofty goals that disregarded things like connecting about Fullmetal Alchemist with Batty, seeking to ruin the reputation of spiritually important humans to tear down Heavenly hierarchy by sabotaging its development on the Earth.
I do not read the Bible as much as one can expect, as I in fact want to test myself in my ability to follow it through the spirit and as it lingers in my mind. This particular testing is an expression of black identity, and so a manifestation of personal faith. As my ideals of identity spread, so too will others be able to develop their own special ways…
Being a Hazbin Hotel/Helluva Boss fan involves being connected to my own soul, hence the massive amount of chaotic social interference I received for years. Unless fans are willing to relate to me in some way they cannot enjoy it, including in the bad ways. It manifests my actual character which mainly networked between the minds of myself and friendly girls as art students freaked out about it. Many soul changes have taken place to get it made including on part of the artists on the shows.
The Underbeasts are skeletal creatures. I love the idea of living fossil creatures like a skin for Cho’Gath because that's a big dimension of what they are. Since I was looking to fossilize all the bad parts of the animation culture and other parts of society for entertainment in my Dante's Divine Comedy style series Hauntlyre, I received drastic social violence at the end of my Revolution to make my impulses for this look as bad as possible while I was simply trying to make friends and interact in art communities normally. Again, I look forward to seeing me course pathways through this process in 2010 in the Multiverse as they made a Cosmic-scale insult to my silly bone artistry that is loved in heaven.
Starting to feel like Batty wants more attention in my content… and so this all connects back to that complaint about me personally intruding into people's experiences of big established franchises. This was really just social-artistic terrorism. I was a socially awkward teenager. Growing up I didn't get to socialize in real life after I was 8 years old. If someone like me threatens them so much about this subject, it shows they simply don't love others. They want to consume slop. They want to consume Persona, Ren and Stimpy, 101 Dalmatians, and other things as some kind of weird meaningless experience detached from life, a McDonald's hamburger that will never change.
With a few token reflections of the meaning, meanwhile as a kid I was wildly overcome by the idea of a pet and the owner being basically the same in 101 Dalmatians.
Rare memetically emerges to assert that only he as an expression of the red side of my personality can win my current fight. After my Revolution crumbled apart the culture of Industry people made it feel like my bold fighting and heroism was a hallucination, his emergence completely refutes that; “chasing” connects to being a dog, blending with Smiledog. Everything I was developing back in 2010 is now getting properly introduced.
The height jokes are girl jokes about not judging an extraordinary man for being lowly in society. Spumdonors cried out for their consumption of anime (before Zoomers and localizers started censoring it) but this is the actual way I would have introduced Fullmetal Alchemist for its significance to my Cosmic theology regardless, if they hadn't complained so much it took until I was 33 years old.
This aspect of the film actually has a lot of utility for my Cosmic artwork, as my villains like RA-RE and my other characters are reflections of myself, but they aren't actually myself, and I LARP as them, which is basically like going around with them as pets. When girls like Atomic expressed their intense fondness for Senketsu, Fullmetal Alchemist characters, and Mob, that showed their reception of the dimensions of my personality. It becomes a personal secret, and yes it encroaches on the lives of Spumdonors and others, lives currently spent constantly bitching about Zoomers rather than having anything interesting to say.
Batty reflects my transformation into a Persona for “mausunderstanding.” As a teenager I introduced them very simply as squirtles, which communicated wanting to swim around artistic environments as an inspirational source, which can transform into a Blastoise against threats. Then comes the complaint that I am attacking brand integrity: “so the way you use Pokemon means they can transform back and forth between the 1st and 3rd stage? That's Digimon!” But I was actually putting together a proposal for Pokemon where they could go beyond the third stage for legendary forms that do things like fight raging fires. This preluded mega-evolution, but mega-evolution lacks the life added to the setting from my proposal. I wanted to remake the first games in the series with much more of a story. The series just became endless recycling of the same elements rather than having meaningful narratives. And so they shot down my billionaire plan with their shortsighted view of my take on Pokemon, reflected by Batty as evolution as something done regularly. Furthermore, I do shift around brand traits in unfamiliar ways, which is Underbeast activity. An individual Underbeast can merge between Pokemon and Digimon, or have other reasons for resembling both. And so Spumdonors had uncharted conservative disgust for Underrealm phenomena. And so Batty conflates that with conventional attitudes of conventional conservatism.
Tearing down my Revolution meant my shapeshifting looked “disgusting”, ranting about having cosmic control of artistry, which is what the Underrealm is about. The point being to provoke understanding of cosmic consciousness in young art fans, as happened for me from things like Crisis on Infinite Earths, often propelled by the strange feeling that my most natural personality is clearly reflected in them. And so they could never have that same experience because the heavens conveyed to me I had the privilege from discovering Cosmic theology, and so to provoke cosmic consciousness, becoming a “little guy”, I needed to do so myself. Eventually this was attacked in the way I did it on /co/, and other places like Tumblr for a couple years until it becomes hard to remember.
The second drawing reflects my Senketsu connection style with girls - white for prioritizing Divine priorities disputing things in the way of exploring creative spirituality - and some of my common emotions for years that could have been seen on /co/: 1. Feeling wounded 2. Yelling at something that startles my senses 3. Getting psychic-electrocuted by a girl replying to me 4. Expressing anger at her
RARE is “my dalmatian”, and people immediately snap to attention because he is a very meaningful persona interface. Ra-re is extremely distinct from 101 Dalmatians, but still has that clear lineage in my development as a person and an artist. People like Spumdonor were not willing to have that patience to wait for this process to complete. People like Batty were - indeed willing to go insane, etc. - and that will have eternal significance.
Atomic reflects my previous article where I discussed having billionaire-level merit and Senketsu regarding her.
As a teenager I was focused on the symbol of alchemy as weaponizing the power of creativity and the spirituality behind it. All the worldly priorities my haters had had a long backlog aggravated by their fear of things as simple as me discussing Fullmetal Alchemist with others.
