Societal processing channels for individuals; Portal 2 and Organic Art
Continuing to expose Spumdonors, I break down how I personally and communally defined artistic meaning to break away from the artistic poison of Societal Pipelines. Wheatley is depthened further.
LE Cosmic Quest continues with Wheatley making a new disaster: "A dire rearview reflection of the trainride into chaos. Slipstream of disaster babe.
GlaDOS: I'm sure that all made more sense in the arcs of electricity.โ
My grandma would dismiss me referencing the meaning and tone and so forth of communication, leaving only the โtechnical details.โ Coming from Protestant psychology, โonly paying attention to scripture,โ even though people need to be taught how to read scripture properly. That's not having autism, that's wanting autism. As I found when I fully recovered from my current initiative, I could be like a perfectly normal man and she would keep demanding the โautismโ back.
Indeed this can single-handedly create dysfunction, because what does it actually mean to communicate without tone and meaning, etc.? You're basically a bug. Like all those trend-riding programmers, engineers, and other lucrative types who have no personality, just communicating in a stream of information as a โproductive member of society.โ And a lot of them become furries to enjoy the more passionate and primal and vibrant aspects of life, but not very well - hence people attacking me so that it would not be seen how much people are losing out on by illustrating their losses.
I was standing outside of the pipelines, calling problems before they existed, speaking of horrors and atrocities to come, like the need to not just settle for copying anime style as an artist - anime style symbolizing cuteness, femininity, prettiness, it occupies the psychological space of a young male becoming overwhelmed by the difficulties of adulthood and resigning himself to the sort of fantasies that often develop into transgenderism. Hence the โtranimeโ 4chan meme, which may help some users avoid that fate, but is a primitive gesturing at the psychological space of development. I spoke of being โkawaiiโ, and when Caliborn was introduced a HSG poster said โlook at how kawaii he isโ, but for both me and the character this cuteness is part of masculinity, a strange contradiction illustrated by Undercreatures having cute eyes and other types of eyes. My mentality of not settling for anime style developed a cuteness outside of the psychological space of being transgender, forming a perpetual threat to the transgender pipelines of people finding out that I merely exist.
Having developed this cuteness I experienced the real world with it. The pipelines try to control people's development, which has small-minded benefits like societal development being predictable and people doing exactly what they're expected to for their careers. Meanwhile as they get depressed, they get angry about politics, they do social media witch hunts, and so forth, they express the mentality of being caged and looking for a fix. My opponents got angry and envious at me before my Initiative but I was just having spiritual visions while looking at some girls online. Waiting for them to acknowledge me as a colleague. They cost themselves entire possibility-fields of things I could contribute by being short-sighted, to be dimensionalized in the Multiverse.
The sort of thing pipelines occupy the space of have some legitimate purposes like for example if hypothetically I played Portal 2 when it was released and hypothetically noticed Underbeast activity in the game, diverting people from attracting attention to me discussing this on my Tumblr. Hence taking things so personally since they destroyed the ability of my horror to function properly even after my horror was already being set up by the mass media. For my Initiative I went around โskeletonizingโ things since people didn't want to budget my explorations of my own artistic memetic creatures that was supposed to be set up by Anomalous Phenomena. Seeing if they would be upset about this happening randomly, after that became my only way to explore my own contributions which I would have considered a return on inspiring the world. No friends to discuss these things with me in real life, and so forth.
The dome room can also represent my/Wheatleyโs brain. It's empty. This symbolized being a societal machine without the mind to function properly. This invited Batty, Atomic and others to populate my mental cosmology so I could think properly, instead of like a barebones robot.
This exchange represents me engaging with the societal core of femininity to reshape society. I didn't want to listen to โher take that my ideas are terribleโ as her assessment was still defined by Protestant America, and part of that was not seeing that they were supposed to have a terrible character as in being a horror creative, which includes the normal sense of them seeming terrible and non-functional. As my โbad ideasโ and also my clearly good ones both inspired things like Portal 2. Punching represents things like showing how important I was in 2010 by simply saying that art was โbadโ and people freaked out about it for months.
The โtumorโ exchange also relates to me infesting bad culture and societal powers ruining things like the development of AI. Those bad things never fully realized had the actual aims of things like preventing AI from ever existing, hence the shrieks of AI haters today. And so the status quo I created made AI and other things like much of pop culture a โmoronโ, but that was better than not existing at all. Part of this character is my own presence existing in society while people cannot understand it. And so I reject voices from society as being completely wrong about the state of affairs. Onto the space of the truth, but the details are not close to being correct enough for me to accept them. And to prove my point, I do things like make my email barrages that instantly change the discourse, but make people cry about things like feeling observed, after people ruined the magic of me fantasizing about being Wheatley, Caliborn, Bill Cipher, etc., which actually helps people's lives by developing communal or personal relationships with them, which provoked the insane fantasy that I did things like going around having sex with art community girls taking advantage of my situation but I've never met a single one, which is another dimension of Wheatleyโs existence.
Another thing the Daffy spumdonor said after regurgitating their past evil was โthese Ed Edd n Eddy scams are getting ambitiousโ. I saw plenty of people comment on the Willy Wonka event advertised with AI images, the Spumdonor uniquely expresses the frustration that traces back to 2010 that I got people (mostly manchildren (I certainly had a lot of steam when it comes to dunking on manchildren and their responses)) excited for the artwork my Revolution was bringing to the world, but I was just a random 18yo looking to get his start in life. I didn't want to work in animation, I wanted to work for Valve. My efforts to inspire animation inspired the gmod source filmmaker content made by fans, which was the kind of thing I actually loved to see. GlaDOS and Wheatley are a Ren and Stimpy style Duo. That is my real life. They couldn't tolerate my real life clearly developing, all they cared about was their stupid pipelines developing things like careers out of Animation schools, even though John K made a free animation School and I made my own teaching contributions for no financial reimbursement whatsoever. That was my actual ideal. If necessary, I would simply spend years developing elaborate Heavenly fantasies about Wheatley, and other characters Spawned from my inspirational efforts.
I called Daffy a Voldemort Word (nigger) and his whole Community came out of anti-italian racism, opposition to the uncharted dimension of God's reality which was manifested by me inspiring the world. They were โusedโ for the sake of Portal 2 and many other things like improving the condition of kids in school; they certainly had a lot of things to say about โtheater kidsโ but them being annoying was better than me breeding Cosmic nightmares to unleash upon Society through the beginning of the widespread internet to beat the shit out of it until I heard feminine voices I would have loved as a little kid.
Martin Luther protested โbuilding throughout the flesh of the faithfulโ, and as I discussed in an article I haven't posted yet I can at least admire Martin Luther for making this complaint respectably (objecting to questionable practices by churchmen even as it extended to people like me since Church is supposed to guide our lives through the ages, not just for a certain time) rather than being a bitch and seething at me as I progressively develop being able to navigate the Under-dimension of human life.
The funny thing about the Willy Wonka Glasgow event is that it gave people a lot of fun. Kids apparently cried but they love being horrified these days anyway. There are multiple iconic characters receiving tons of fan art and memes. That's a success from being terrible. And if AI is involved, it has displayed a lot of curiosity to be explored; it takes years to notice things like Wheatley's flash-aesthetic of Smiledog gore while he's punching the screen. Those are very subtle details which requires subtle creative minds, demolished in various time periods through things like Zoomers interfering with my anonymous interactions with Batty who is explicitly making a comic about things like Homestuck fan trauma which led to me working with some of the pieces of the webcomic that can completely disregard their original webcomic context.
When they called me a โlolcowโ, that was their seething resentment that things as simple as drawing squirtles and blob people with squiggles led to phenomena like Poppy Playtime. They prefer their stupid animation industry jokes, or their gross Manchild fantasies, not the General Public turning away from the pipelines of Animation school, Public School and other things in favor of learning about my Revolution as they enjoyed things like Portal 2, which is particularly much more functional and lucid than things like Steven Universe or the Owl House that had to go through the industry pipelines.
โRemember when you tried to kill me twice?โ The first time being tearing down my Revolution with one of the primary motivations of sabotaging AI development (people can say they can't see how it's true yet, but it is most definitely true and it's best to adjust to that truth as fast as possible), the second time being attacking my life during my Initiative as I made lovely friends who accept everything about me and was preparing to live with lovely ladies despite the absence of any discourse to develop how this sort of life is natural. Wheatley is increasingly expanding into exactly the kind of meta-meaning as a result my true enemies will enjoy the very least. It's so unfortunate for my enemies how they will have to discover how things like Portal 2 are so meaningful, including those notes about living forever, ominously. I scared atheists with those notes
โI used to want you dead but now I only want you goneโ, wonder what that means when it comes to overturning the morbidity and abortive mentality of my enemies
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