the /co/girls part 1; The Spumdonor Subversion part 5; Social and Cultural Planning of the Arts
Exposing the animation industry's influence in Homestuck, I start exposing people's resentment about connecting with a bunch of /co/girls to revolutionize Society as a Birdman
Lord English Cosmic Quest continues with 4 pages; The Eyes of Senketsu: βSeemingly, he was in literal direct contact with them and yet it didn't qualify. But at the same time, all his blood he was circulating was really valuable.β
Previous. Being a highly unique artist, people extrapolated from my unique traits to build careers while trying to work around my inevitable assault upon their parasitism symbolized as Lord English. Things like the way I relate to friendly artists were broken down in a way that led to promising artists being analyzed by social media mobs for exploitation, but their fear of learning more about me today shows I have invented how to protect from that exploitation in a variety of ways.
One of the powers associated with being a Birdman is Stunning, hence the myriad of meaning to interactions of the 2010-2014 time yet to be developed. This is useful for things like the audience disregarding how drama behind a production affects the work.
Atomic, one of ipgd's friends, highlights the issue illustrated by my past couple articles with a viral tweet, featuring my dog feelings. (Pre-existent illustrations like Tumblr posts are part of the power I already had the haters got insanely jealous of, and so I didn't use it and just looked at the Tumblr magic.) I like things to be personal and neighborly, not uprooting all the time, hence being tortured by things like Grandma randomly getting rid of possessions; my possessions actually become an illustrative environment to me, it's not about keeping them forever, it's about the significance of my material objects to my current day, to my brain. And so, what I aim to do is to gradually set up an artistic environment, but back in 2010 people freaked out about this for the sake of Animation students who want their education to be done in the 4 years of college. Ok you didn't get to learn what I was trying to teach properly then, have fun. I wonder how much fun they had working on Steven Universe which was supposed to relate to my metal monsters that cosmically invade the Earth and care a lot about relationships. Almost like βongoing processesβ is just important to the lives being set up back then.
βAccountsβ can also be a metaphor for an established relationship. VivziePop goes back to 00s 4chan. I had a relationship with her back then, which was reactivated by Hazbin Hotel. I quit out public school because they wanted me to make new relationships every year. That is not how I work. (And when they insisted I do so, it really goes to show that part of the system is parasitizing people like me, those relationships can be of value, like for example navigating artistic communities while giving me no credit, hence trolls aggressively pretending like they know me to form a β/co/nnection stubβ) a bunch of projects came and went between my Revolution falling apart and one that I would actually support. The Spumdonors and others wouldn't accept ipgd and her friends mediating my contribution to animation while I didn't actually work in the field (ipgd was known as βi fuck little boysβ at first, hence indicating the desire to scare animation people away from trying to get me involved with children's cartoons before she actually became my friend, due to 4chan-style friendship)
Lastly, the Mouthpiece Trolls that had the blessing of Spumdonors, etc., would scream aggressively about βnamefagsβ, and every time I thought about Atomic and that I wanted to punch them in the face if they said that to Atomic and other HSG frens, part of the point was to destroy my βaccountsβ with them so Spumdonors can finally have their autistic genius unnourished by weird girls.
Ruining the Friendship Revolution
Dunno how to break it to the haters that when they helped invent techniques like βfriend-enemy speechβ they were completely undermining their complaints about my efforts since 2006 from having any meaning. They mainly come out of protestant culture - with other sources like immigrants coming out of remnants of Paganism - and so much like Grandma they cried out about the consequences of their own non-functional beliefs. Like βforgive and forgetβ, Grandma wanted me to forget about all the damage she did during my childhood that led to treating me like an autistic retard after being known as a genius to teachers. Grandma knew that my family line was really good at exposing wrongdoing, but her selfish fear of being exposed ironically led to that being the only thing I remember about her. Much like the Spumdonors, who also wanted to see my autistic genius get exploited, playing elaborate social games and using other tactics to undermine any other form of life.
βPedophiliaβ in the John K discourse symbolized how John's legacy was getting developed by me and other minors like ipgd and Vivzie participating in my vision, giving up on the bullshit of the mainstream world that destroyed animation and other pop culture. Meanwhile foreigners will never get shit without going back to my teenage vision like they should have in the first place.
This was the start of βempathicβ friend-enemy writing, naturally focused on me as I actually believe in empathy and excel at empathy. It's not just cheap rhetorical and social tricks to me. I can see myself as Karkat or see Andrew as Karkat, βwe're much alikeβ, and it's a metaphor for /co/ girls participating with both me and Homestuck. I'm sure that will produce interesting reactions in the Multiverse but at the time I was too dazed from my Revolution crumbling to notice
Writing Homestuck
As should be easy to tell Homestuck amounted to a confession about the outrage of a random guy revolutionizing society and then just staying home alone. I suppose all that effort I did to fight Protestant culture knocked the urge to confess loose for a few years. βThere's these girls on the internet who are really cute artists, but they need to listen to a random guy on 4chan, wow he's a creepy asshole, but he's actually really helpful to society and so we're going to record this information about him in a webcomicβ.
They had their βreasonableβ takes - this dude went berserk because people ignored his Mako Mankanshoku drawing! - meanwhile their βreasonable discourseβ set about on confusing who was my friend and who was not so that things would remain fair in specifically My Eyes. So not only could I not build a life for myself, it was difficult to be sure beyond a few exceptions that anybody liked me at all. That way, I could not disrupt the mainstream culture with my influence and inspiration through things like Posting.
Poisoning my relationship with ipgd, creating a social environment that misinterpreted everything about my philosophy, encouraging trends in identities that blended my traits with the traits of unfriendly people like Andrew or Alex. Their traits creating an unreal perception to me, I always looked for friendliness that never seemed to fully materialize.
You see, it just couldn't be that a random guy online hit the lottery and had earned the right to be a billionaire, from the pure merit of his contributions to society. That upset Spumdonor because he would start having to associate 101 Dalmatians with a guy who identifies as a skinned dog. Oh and I was teaching the youths of his peers to enjoy getting skinned by me.
βNOW KISSβ gave me danger signs as I didn't want to participate in any communities where Tumblr girls would undermine my passionate masculinity or strong encouragement of competition by ambushing with such phrases. I have developed to enjoy the way I can make them frustrated, but it's basically impossible to explain what this actually means because the discourse didn't develop alongside it. I actually can't conceptualize it properly because if I enjoy disqualifying candidates, then that rewrites the personal narratives of people who went into the art Industries angry about my disqualification critiques, and that threatens gay and casual sex culture by increasing the enjoyment of interacting with people normally.
And so, they tried to negotiate to get what they wanted, too defined by their selfish priorities to come out of their mouths coherently. I believed in the sanctity of the person, not melting into the babble of their social groups. I wasn't going to become amorphous putty, joining their Collective which could never have done what I did as a distinct individual. And so my social proximity became overrun.
And so they sought to invade the meaning of being ipgd or other girls in my proximity, which is the sort of thing which has been done recently. The issue persists that with my clear identity, being any less than who I am is like waking up one day with someone else's leg. I have the mind of a shapeshifter so there should be no genuine problem, rn feeling very βbadβ in a way that is only meaningful in my connection with Ava's Demon, which helps make it. And their βfriend-enemyβ approach involved completely failing at understanding me properly. A dude who's both extremely strong and vulnerable? β¦Must be a muscular masochist! Couldn't be a cosmically powerful guy with no physical resources, and choosing Equius over Ava's Demon meant giving up an easy way to both explain that I'm a Catholic associated with encroaching darkness which people pay strange fealty to as well as that I actually need fucking money - but watch the cosmic context in the process so I stay cute and appealing. (My connection with girls like Michelle means my writing sometimes sounds like we are speaking simultaneously, but rather than being spooked by my Cosmic artistry people did what they did.)