The Tale of Undertale
I explain the various mechanisms by which undertale was inspired from my own artwork and life, and the sordid history of not acknowledging them
To this day I have never played undertale. However I have my own way of being very familiar with it by reading people's discussions online, interacting with people in the Homestuck community, observing memes like Tumblrโs skeleton jokes, and others.
The most important method for the purpose of this article is that my best friend was involved with it and Toby Fox.
There is a reason why I avoid playing it and it is because it is very psychologically uncomfortable to experience anything made with influence from myself made after Skullgirls probably. The way this problem would have been fixed was fans of the game and other such media like Murder Drones (the portal influence is obvious, and through my online preparation to apply to the valve company I directly influenced Portal 2) to incorporate me into their lives so the progression of my life would happen. Instead I was ostracized and Tumblr became a hostile place for anybody who fit my description - so I could be exploited through my inspiration and also the plagiarism Homestuck and some other things did.
There's a reason why I'm fixated on the past besides uncurling and exposing all the ramifications, in a certain sense I have never left it, and my teenage period and young adult period; my Revolution and my attempt to create an internet presence for creating my mentally formed works; are my only epochs that are actually real anymore. I was opposed because people did not want to rebel against mainstream Society, and so because of this they had no remotely accurate view of myself. In the current time the conception of a John K fan is immolating, and that is because of my messaging campaign, as people are finally seeing how I ALWAYS viewed his work. As a teenager I became very excited at the mention of the trickster by an online blog, but people did their best to drive me away from this paranormal direction but I found it anyway.
My monsters called the Underbeasts are the focus for the connection to undertale. And so anybody with a correctly calibrated brain can already feel the problem. I have no patience for anybody willing to pretend, fueled by Tumblr culture which uplifted undertale and Homestuck for a long time, that you can hear that my best friend worked on this game and that both my work and Toby's involves โunderโground monsters and not sense that there is a problem. And indeed somebody only actually said this once months ago.
As I stated there are further details. It was necessary to create one of my monsters, and one in human form, for this article. I have not actually done this for about 10 years. Only by my messaging campaign did the creative juices Flow for this new character linked at the top of the article. This is so because the people linked to the people I messaged are culturally involved in a project of subverting my young adult projects so they can profit off of their projects, either directly or as fans and fellows in the industries, and try to salt the Earth of my own stuff. The mechanism of this involves people who have a potentially healthy connection to me being screwed with spiritually, and other immaterial mechanisms.
This character is a monster, but he is also a human. He has many monstrous traits. At the same time those traits are reflections of myself. They are also reflections of My Best Friend ipgd. She would do things like make a scary face her messenger avatar. This paranormal personality died as she joined the homestuck team.
Undertale came out of the โself-insertโ period beginning in Tumblr culture, and I would consider it to be a healthy example. As opposed to things like the original comic Nimona. (On the other hand the new movie version I haven't seen exhibited a resurgence of health as in the character animation, which could be expected to be a result of my Initiative) ipgd is reflected in the undertale characters, but not in the same way as my own characters. She is socially reflected in undertale, the social life of the time. Meanwhile I reflect her inherent essence out of my powerful apprehension of individuality.
So are her friends like chazzerpan I interacted with and other members of that community. It can be said that all undertale/Deltarune fans are enjoying the context of my life back around 2013. Which has great multiversal potential.
Next we return once again to the sex of Frisk. As I've said, when I was a teenager I said I was a girl when people thought I was one. This is exactly the same concept used for Frisk, the only difference being an unstated status of being โneither male or femaleโ believed in by some fans. This is an Occamโs Razor situation, as if exactly the same trait can be attained, and in real life, without the quasi-religious belief in being โgender-neutralโ, that belief should be discarded.
And so a character who represents myself explores an underground realm of monsters. This fits as my goal as a teenager was to introduce and explore the Paranormal for my readers. Plus, again, I need to explore my own cosmically underground monster realm.
And again this belief in โnon-binaryโ is dependent upon my own work, as my monsters are neither good nor evil but instead an alien concept associated with a color. At the same time they are involved with both Good and evil, this does not โbreak the binaryโ. It's a perversion of the coolness of my work that they express.
This identity reaction comes from the unactualized ability to be a shapeshifter. As my articles analyze I believe the trickster is the Cosmic figure which defines the nature of the African race. By the consequences of sin the things he contributed to the world became dormant, but they became commonly expressed in artwork.
In the recent time this has been changing, and so one day I will have shapeshifting ability to physically match my shapeshifting personality. This is sort of monstrous, and especially because it means transforming to be like my own monster creations. This will be depicted in Hauntlyre, and I believe the more things go into the end times the more my personal life will resemble Hauntlyre. Indeed, the premise of what I have made so far is that it depicts an alternate 15-year-old version of myself in the afterlife, which I distinguish in my work as being what immediately comes after death.
And so by the myriad of factors I expand upon in my content I have listed here, this explains the meta text of the game. It describes a great significance to things like deciding to kill the characters, a significance which comes from the various significances imparted into Undertale by participating in my artistic Expanse. Personal, theological, creative, relational, metaphysical, and so forth. Without this context the meaning of the game collapses as it did into the cruel and mean fans who attacked me without whom their favorite game would never have even been made, would not be logically possible to create.
I believe in Toby although he is a gem amongst the massive mountain of coal he came out of from the homestuck team, 2012 Tumblr culture, and some other things. Many of his fans are still attached to this coal. They must change or they will suffer the consequences of being textually bombarded through my Imperial blockade, smoking out the ill, sick and exploitative culture they wrongly view as a good place.