The Fairy Tale Origin of the Racist Insult Troll
Explaining the invocation of fairy tales and how they have been used within souls to express Twisted meanings.
This has been a planned subject matter for some time which has been provoked into being written because of the /co/ moderation of 4chan, which loves to look for an excuse to ban me for the reason of “trolling.” Hopefully this love of theirs will die soon
Sometime ago I established that Homestuck was a racist assault upon black people in defiance of the arrival of the cosmic being which defines the nature of the Black Race, including its non-human species. The Trickster, who guides the formation of fairy tales: incredibly meaningful stories for a culture which tend to teach young people how to successfully grow in that culture.
Indeed, the Trolls, the “alien species” of Homestuck which forms many of the protagonists, I defined as being a caricature of four groups: black people, the main target; catholics, internet people, and animation trolls - the fourth category being one I have been developing strongly in my recent articles. The colors associated with each group equalize to form the gray skin of the trolls.
Now considering that the main purpose of Homestuck was to obstruct the trickster, and the trickster forms fairy tales, and the troll is one form of fairy tale creature… it seems that the racism of this term defined by Homestuck as well as others before it - bad people who used the term in a bad way, which I found very troubling as a teenager - should be sourced in the significance of trolls within fairy tales.
Of course the most famous story for trolls is about trolls and bridges, which is the origin of calling troublemakers on the internet trolls. In Three Billy Goats Gruff, a troll guards a bridge that leads to a feeding ground, saying that he wants to eat the goats that come across to feed. The origin of associating black people - in their true context of Black Culture, which the mainstream avoids acknowledging ever even when I bring it up - with trolls in this sort of story is the bridge representing an artistic bridge. The bridge goes to another world which people want to come across to “feed”, but for one reason or another the black person is a toll booth for this bridge.
The troll desiring to feed on the goats inspired the great enthusiasm in the late late 00s for calling me a troll, my posts through using lots of horror terms and other methods starting to introduce my monsters. They wouldn't have wanted to say that I was myself monstrous (that would get the girls hot and heavy), so they leaned in on the image of a troll to convey the evil intent they wanted to see in my monsters. In fact one of the chief purposes of my monsters in this world is castigating people for their sins - reshaping the context around Hell and damnation through my work.
In the story of salvation my monsters are neutral parties, who are attracted to the sight of great sin, and their attraction to sin is an illustration of the error people are making. And so one way in which I was “eating” people on artistic Bridges which caused my opponents to hate me… was filtering out sinful people with evil intent from artwork. People who are too sinful cannot get past the “troll toll” of my monsters shrieking at them through my mind and into my comments, artwork, and other things I contribute to the world. They wanted to demolish this toll booth of personal character from the art worlds I was setting up, introducing artistic morality to the world for the first time. The absence of my “toll booth” led to vast amounts of artistic evil in the next decade.
Second Sense
There's also the notion of the “ownership of Art.” through the 5th Dimension people gain sight of the real origins of stories, and thereby the individuals to whom they most belong. This involves notions of belonging that are usually not financial - beyond this world money is not important.
And so as people accept the true nature of what defines black people as black, people begin to see how they fit into the whole Arc of History fifth dimensionally. This could lead to rather grandiose contexts for certain young boys in ghettos, I don't really know anything about that. But the mere idea of it was very dangerous.
This proceeds out of the real reason for the impoverishment of Africans: they were not designed to be separated into fallen continents, building up civilization all on their own. Instead they involve such things as story, the movements of music, the meaning of historical events, and becoming a Success. Things like this assume that Civilization already exists. And so now that Africans have Departed the Africa from before colonization, they begin to fit into the story, the music, the history, the success, and whatnot of the world. Who knows what will happen, but the greedy and powerful don't want to see it happen. They would much prefer to cause a clown show of showering black people with money and other riches to produce “equity" than allow people to discover the real wealth hidden in the world for black people, which most likely does not actually involve the exchange of money but other things like spiritual exchange.
One example is those things of the famous classics of my lifespan I am associated with in some way, which I know intimately. The Green Lantern property has no actual existence without reference to myself, because of my Cosmic setting of the Underrealm, one of the rewards waiting for me in heaven. This does not mean I want any share of profits from the Green Lantern property (but sinful executives and whatnot can fear that anyway). But it did mean I worked on an artistic Revolution. And one effect of that effort which was fully realized without me knowing that I was going for this was expanding on the Green Lantern property into the rainbow corps. And so that is how I contributed to DC comics without even entering the company. And what I wanted in return was still not even any money, but rather to be an important figure in comics. As I became an important figure in other mediums as part of my Revolution.
But they didn't want that, they didn't want to pay the “troll toll” of going across the artistic bridge leading to the Green Lantern property. Or other such things. So they tore down my Revolution.
Third Sense
Out of the original Three Billy Goats gruff story inspired many versions of the motif for fiction and other things, as is one of the purposes of fairy tales. Such as the notion of guarding a bridge with a riddle. This riddle serves two main purposes as a symbol.
The first purpose relates to merit: someone who understands certain things about an artist and about art can instantly solve certain “riddles.” For example someone who reads a few of my articles can easily see the significance of bringing up ring imagery in stories, and then I proceed to explain how they connect to my cosmic setting. Such knowledge can form a barrier for getting involved in artistic projects and certain artists.
This is a major element of my Games of the Future: throughout the games there comes a time where you can solve riddles in order to unlock special bonuses that are for being a loyal fan of my work and myself. This can involve literal time travel as well as other travel within and between worlds. However people follow my work in the Future, the more they do so the more they benefit by receiving treasures.
This is not desirable for sinful people of our current world, as for one thing they are lazy. On top of that they do not desire the intimate and very personal nature of the relationships I intend to bring to the world, drawing out of the cosmic Black Culture to provide new forms of connection unlike anything before seen, particularly useful to things such as connection over the internet.
And yet despite their efforts I can find responses to the meaning of my articles from people I have never even interacted with. The continual introduction of the things of the true Black Culture progresses, and my opponents become more desperate to resist it.
Seeking to destroy me in the past was an attempt to divert the course of history to alternatives to such relationships, which resulted in the LGBTQ movement and cancers of careerism. This provided them no satisfaction whatsoever, only increasing conflict and personal disease because the forms of connection I aimed to introduce are necessary, and a part of the progression of God's creation.
Fourth Sense
Reading my articles provides introduction to the Horrorterrors, special monsters of my Cosmic setting I was associated with at birth through my birth digits. The luck people comment about to me many times. Indeed, nine is a special digit to me.
By making Homestuck Andrew Hussie made a webcomic with a nine letter name. His fans and artists he influenced made their own comics and other projects with nine letter names. Such as vast error, Ava's Demon, and Undertale. The Horrorterrors he sought to obstruct by making his own version that is just lifeless Lovecraft copies all have nine letter English names. And so even without such a project as homestuck, which was made with spite and plagiarism towards myself, one after my Revolution can find himself in a situation where he has seriously wandered into the creative plane of another artist where he's the Boss.
That sort of authority and towering personal potency is not the sort of thing that is desirable for people like the Manchild behind Homestuck. And so Andrew and others like his nasty fans sought to create a world where a Boss and other types of important figures in the art worlds is humiliated as just a monstrously twisted figure lurking under the bridge of his art world.
But the many signs which surround a Boss can illustrate the error: Andrew had earned the ironically twisted, devilish fate of becoming like Gollum in The Lord of the Rings, completely and pitifully twisted by his desire for the Ring. From this negative perspective of Gollum, he is shriveled up to be even sadder than the troll people like Andrew wanted, and lurking in his obsessively shrunken consciousness is the knowledge that he fully deserves this fate.
The “hunger” of the troll relates to my desire for the artistic resources and energies which is the true payment in return for me freely giving inspiration earlier in life. Because of Andrew and his true fans and other factions like my /co/ trolls and certain established members of the comics and cartoons Industries: I cannot feed on the artistic projects surrounding my art World properly, meeting people and contributing some work and discussing the things they are starting to make and doing other normal human things.
From this perspective of The Three Billy Goat Gruff story, they represent goats (which find useful reference in the parable of the separation of the sheeps and the goats) seeking to march across the bridge to my Art World to “feed” as much as they like. As each goat goes across they get bigger and badder, which can represent the fear of actually taking on people like Andrew Hussie and the DC comics company (often known as dead company these days) as even if I try to take on the little goats, the big ones will come across soon to gore me. But despite what Andrew, /co/ repliers, DreamWorks employees visiting my blog, and others illustrated back in around 2010: here in 2023 I am fully capable of taking on Andrew hussie, DC and others without even a single word of response in return, seeing only the withering of their interactions in the world which comes from the loss of the things they fed on from my personal world.
The ethics of bridges survives every attempt to subvert them, in every sense. Which shows that they proceed into the cosmos. Especially animation industry people back in around 2010, after Homestuck had been running for a year, sought to torment me by talking about Burning Bridges: not only the bridges to my own participation of the art worlds, not only the bridge to the development of my world, but also the bridges to the artistic efforts of those I consider to be my friends, and those who greatly desired the things of my Revolution. Like the Nashville Covenant School shooter.
And yet in the present I see only the screechings of the Brain Bugs of the mainstream world as the Rings (they build Hell, folks) carry out a perpetual assault upon the world which frustrated their arrival, an assault which goes vastly beyond my own awareness.
Conclusion
There are many other senses of The Three Billy Goats bridge and troll to find, but these four important senses show the profound significance of the symbols put in place by the Trickster, and the satanically racist abuse they can fuel against others.
The more my efforts continue to carry out an Initiative back to the original plan of my Revolution, the more The shame will grow to use such methods of true racism, and to have ever used them. I seek to embark past the state of the internet where the term “Troll” was so important, and to one where there are much more advanced ways to describe interactions with others online.