Spider-Man versus Electro: the real spider-verse

A Sunday special posted on Monday. Due to cancel culture people attacking Gavin a filmmaker for "racism", I explain the transcendent significance of this Amazing Spider-Man 2 scene

The motivating ratio https://twitter.com/GavinKonop/status/1675972929778057216

Of the films I have seen from the past decade some are quite special although that specialness is nestled in a broken production. The TMNT 2014 movie is a good example. They manifest energy which comes directly from my revolution, but because my Revolution was ruined they were not completely put together to be good.

Revu

“Knocking” is how the Underbeasts introduce themselves, extruding their own reality into normal reality which creates a blend of a mythical or otherwise strange situation. It is a pun-connection to rap music.

The amazing Spider-Man 2 is a good example. I haven't seen 1. There's a climatic showdown which is profoundly meaningful, and it is meaningful because of my exposé of Black Culture I have been doing.

In the times square scene Electro displays his motivation for antagonizing Spider-Man. Spider-Man receives all the glory and is seen. Electro does not and is not seen. This gives actual meaning to making Electro black, as the scene has to do with the Discovery of blackness.

Black Culture does not only have to do with the big scale facts like the existence of the trickster and the connection to comic books which are themselves slippery. It also has to do with the lowest scale facts which are basically always ephemeral in a way. They do not have lasting permanence because the trickster is mystery - he is the abstract being who is mystery, as God is the Being who is existence - and so the things associated with him are mysterious.

And so they must be discovered but because of the actions of Protestants traditions of the methods of Discovery were not formed, leading to the racial crisis of the past centuries.

it is useful to use the method of capitalization to distinguish between Blackness and blackness. In this case Electro’s issue is that the blackness of his life is neglected completely.

Animals also have black lives. As I was making my previous article which is a big deal for me at different times my grey cat frolicked around on my head and pulled back when I looked at her being ridiculously cute, and she also created this cartoonish look like The neverending Story wolf. Celebrating what I had done. This is the origin of the nine lives of cats.

In my previous article I mentioned the obscenity of Animaniacs. Electro’s civilian character suffers in humility, mocked and unappreciated, and he also comes up with the “Amazing Spider-Man” name. This is the actual significance for meta references as Electro understands Spider-Man so well he can see his transcendent significance that extends out of the movie into the real world. This is an equivalent to a real life black man seeing the significance of another person which extends out of the real world into the cosmos - there will be some upcoming stories about such things into the end times!

Animaniacs, Homestuck (even more maliciously) and other things spoiled the significance of these things which are a part of Discovery. They preferred conflict to Harmony as people were designed to live in. As you can see by the main Animaniacs trio and just everything about Homestuck.

An actual purpose to referencing the production of your comic as Homestuck did frequently (to the frequent confusion of people who were not intimately connected to people like ipgd and the current Tumblr dramas) is to record a synchronicity, music for a character playing as you make your own character that resembles that character, which shows you Honor that character.

Electro expresses his confusion which comes from acquiring his power. His power is associated with an unfortunate event which I recall is considered to be contrived - but by The Fifth Dimension “contrived” things can be natural and meaningful. It used to be a “contrivance” in my content that Andrew just so happened to become obsessed with spoiling my artistic projects, but as I have assembled all this information about protestantism I have clearly shown the historical-spiritual origins of Andrew’s evil. And various links from Protestants to Andrew like the pleasantville movie.

Many times I have had “encounters with the police” online which came from cancel culture, animation industry maniacs, etc but now I have Exposed my Bblackness and they are silent.

The fans of the alien Invaders in independence day became a focal point for my mind in terms of those I despise the most. I called them stupid and my mom's offense taught me to be polite to those infected by this kind of stupidity as I need to learn what's going on with them and also it's simply tactical. She also told my brother not to “antagonize” me, which stood out to me because by my storytelling impulses I can become a villain.

Spider-Man, as an upstanding superhero, is also associated with Black Culture despite being white through the merit of his character which is empowered by his superpowers which have a mysterious origin as only a single spider has bestowed them to a person. (But in the movie across the spider-verse it's part of the Canon that there needs to be a Spider-Man, removing the mystery. This is a Homestuck-influenced film)

He tries to reassure Electro and deflect the judgments people make about him in the midst of his confusion. But then tragedy strikes which has a great deal of symbolism, those big Times Square screens are a great motif.

Despite Spider-Man's attempts the public sees him, not Electro. They did not see his humanity, his triumph, and indeed his actual friendship with Spider-Man despite that it can be interpreted by the audience and the characters as a bluff.

It is a great satisfaction to wield an unbreakable weapon against the lgbtq, symbolized as the Imperial Blade which resembles Satsuki’s, as they cared nothing for my tender connection to the creators of those cartoons and to various members of the other two projects. By their lack of concern I hope to shatter their feelings.

The symbolism of the Times square screens upon which Spider-Man is projected involves Cinema. Protestants are notorious for their strange love of movies which can be at the expense of things like actually living a life, not just watching characters live lives. I believe it is spiritually a constant act of spite. They refuse to see the greater significance of the narrative, they only want to see the obvious and Petty details like household dramas and big special effects climaxes. Indeed, my Protestant grandmother treated me the same way, refusing to see any humanity about me because I did not give up on my Italian creativity. She was hopeful to see an “autism boy” emerged like a parasite inside myself, but instead I became the person who figured out what is mentally-anatomically meant by the term autism.

If it was not for Protestants people would have spoken about things like Bruce Willis's character becoming a Christ figure in the unseen aftermath of Armageddon, an alternate invocation of Revelation which would greatly stimulate the imaginations of people attuned to creativity. That is exactly the kind of thing protestantism did not want.

When the kind of scientists who talked about how stupid creationists are unleashed a constant assault upon the scientific credentials of armageddon, they were seeking to prevent this too, as the movie evokes The Fifth Dimension, which connects movies to reality.

Christian thinking sees a spirit and intention in physical things which only becomes more dramatic in an apocalyptic scenario. There's no way that the destruction of the earth could be averted without involving greater things than physical calculations, but the various factions of ideological convictions made people blind to this meaning.

This grilling of Armageddon led to the sad state of some black men reflected in the movie ASM2, capable of seeing great things nobody had learned to observe. The decisions people made in front of theater screens immiserated Electro, and Spider-Man is condemned by him by his projection onto screens.

He speaks of feeling an anger he can't understand. This is an anger aroused by being empowered by The Birdman, the master of The Fifth Dimension who makes him a villain. The Birdman appears nowhere in the movie but people should have learned about the metacinematic realities associated with him.

Electro is made to represent the weakness, confusion and anger in a time where superheroes are so popular but blackness is not of concern except for a few here and there like random Catholics on the internet. The Birdman sets him against Spider-Man not to attack him but to resolve an important conflict. He is above it all, flying.

But he leaves behind a signature: the Times square screens. Of significance that is a mystery even to the makers of the movie. But not to me

On this important day Alex Ross posts an image of one of his greatest depictions. The woke said so much about representation but the only character I've ever felt looked like myself was Captain Marvel in the Kingdom Come panel where the text says “Armageddon has arrived.”

His use of his powers is badass, an essentially perfect scene except that people did not have the psychological context to properly feel the meaning.

He ends by destroying the screens, slowing the solution to his woes which strays above his villainy: destroying the tainted and faint cinematic experiences the descendants of Protestants had felt, increasing over the 20th century and leading to the climatic clash with my teenage self in 2006 beyond people's comprehension to this very date.

And so this shows the origin of black characters having electric superpowers so often, because Blackness and blackness is inherently associated with connections of many kinds, and these connections can be energized which is analogous to the transmission of electricity.

And so the solution to the poor reception of the movie is already factored into the scene. Parts of the movie outside of the scene have a myriad of issues like the confused finale, but by ruining how protestantism engages with movies a mysterious path is found to the movie being remade as good, as if by magic.

I can remember a better ending to Godzilla 1998. These alternate versions of movies existed and were lost in childhood through a mysterious process. The alternate explanation is that a child was already a master filmmaker capable of reinterpreting scenes through the brain that are much more memorable to picture in the imagination than what people spent millions to produce, which is if anything more ridiculous.

Across the spider-verse continues a project of perverting all these things largely generated by Homestuck and it became infused throughout 2012 Tumblr culture. Merely saying the word Multiverse is just now becoming cool again to me after all the garbage Homestuck spewed online.

I have an undying grudge about every element of this culture for a reason that would have previously seemed silly. If as a teenager I had spoken openly about what I was working on not only would I have been stolen from more and worse, I would have let all the Electros of the world down. I needed to challenge people to see me or an Electro would have been right to arise after a semi-successful Revolution.

I will electrocute this project that has made over 600 million dollars until people realize how bad the relationship it has to reality, and I do not care what will happen as a result. I will show the world what a real Spider-Man would be like if he was real.