My statement about the modern John K fandom

I explain my history with the fandom, its responsibility for toxicity in comics and cartoons communities, and its reaction to my Initiative.

Eternal Prelude continues with pages 38-39, plus an after update page

This has been bothering me lately so I might as well just go ahead and make this. I also witness the fandom for John Kricfalusi undergoing a lot of changes to their internal cultural structure as well as their interactions with individual people, and I want to contextualize this change.

Modern John K fans do not care about my existence. They do not care if I live they do not care if I die. They do not care if I am sick and they do not care when I get well. They don't care about the progress of my artistic projects like my webcomic or my explorations into innovative new forms of animation. They did not care how I live or where I live or with whom I live. They don't care about any relationships I may have, including as part of being a fan of John and animation in general. And they do not care about many more lower-order things.

This is so because they take the side of mainstream culture. Mainstream culture decides politics, it makes up the corporations, it governs city centers, it decides which of the biggest art projects get made and also has many effects on smaller projects. It has certain ideologies and other commitments. They do not want to upset mainstream culture as it would disrupt their lives.

They have never said a word about my intense fondness for Metal Gear Solid, largely because I am focused on the profound depiction of relationships. In mainstream culture MGS is “gay”, and they want to protect such interpretations. This is pressing for them because Ren and Stimpy and John's philosophy in general has a lot to do with relationships.

As a teenager starting when I was 15 years old I sought to create an artistic Revolution to advance friendship and The cutting edge of animation and other artistic mediums like video games. And so already I am the complete antithesis of these fans.

They do not ever mention the comments I made on John K's blog to bury my revolutionary effort, or my comments on other places like cartoon Brew or /co/, despite that they clearly recognize me on the basis of them but bury this recognition for the sake of mainstream culture.

Yesterday I said that Kill la Kill uplifted friendship and the member of this fandom I have the most positive opinion of shot that down, showing the cultural obligation. (Anybody who knew the post I was thinking of making just before would know that was very unwise). Next he praised the animation of a modern cartoon, a very familiar cultural ritual which caused me dismay as my teenage Revolution ended, inspiring me to avoid John K fans for about a decade. They CANNOT get too deep into what ren and stimpy is really about, it is what the cultures demand, as to do so is destructive to those cultures.

At the end of my revolution I converged on a look fairly similar to Panty and Stocking at the same time that people were getting intensely angry at me based on questions of “what I liked.” nobody introduced Gainax/Trigger to me as anime closer to John K's ideals heavily influenced by recent US animation of the time to protect the cultures. Even as I struggled to make friends with a big fan of Gurren Lagann, which I had not yet seen. In recent years a photo of this Gurren Lagann fan was spammed many times as culturally-motivated mockery of my hardships at the end of my Revolution.

I'm always retweeting Trigger artwork, none of them have ever said to me “oh hey cool Guy, didn't know you liked it so much.” That's not what they're like. They are very ‘mental’, psychologically ambivalent in multiple directions, as they have gradually realized the truth of both John having much greater significance as a revolutionary as well as the truth of my own comments. And they know that because of this, I can massively change the world at any time. This was shown in my previous article, which had many high level tidbits of Truth for the current date. I “leveled up” my content to punish current animation fans for trying to drive a nice girl to suicide.

I'm not going to let them pretend like they were ever on my side. I believe there are people who were. But they simply moved on with their lives. They didn't join the fandom. Meme bastard on Twitter is a good example.

This SpongeBob meme relates to my Big Game Trilogy I had planned for the current decade, called Mechanica. It draws heavily on metal gear solid, Gurren Lagann and other things. As part of the process of my Revolution to recover it as I progress into the end times, memes are spawned which will have greater significance in retrospect, just as John's philosophy has greater significance in retrospect. That's just a part of reality and there should be a term for it

And they could not accept that I actually have a female best friend who I have long viewed as basically my dead wife. I don't view anything literally, I am such an inherently creative person I see symbolism in everything, like someone being “dead.”

In this instance when people destroyed my Revolution they were destructive to all of my relationships. I did not even want to see them as they would be without even the rubble of my Revolution; a term which symbolizes a series of events where people at least acknowledged that I tried to do a revolution, which is not the actual series of events I lived.

They don't see me as a person who thinks these thoughts. Instead they saw me as autistic. Just a big overgrown boy. But I've been hiding these thoughts before I began Posting regularly on substack. Didn't post them on /co/, which may have twisted people's perceptions of where I had gone in life.

Which involves forever dismantling the conception of autism. Autism is largely people with an inherently creative identity in some way whose creativity has not been able to be expressed. I proved this by hiding my incredibly elaborate philosophy of artwork and people saw an autistic man. Now I have shown my incredibly elaborate philosophy, which can be extrapolated in your mind and mine, and they are very quiet.

From an OP on /co/. I have a fondness for this movie only because it feels like my own aesthetics meeting industry aesthetics, bringing things like my weird underground and under sea monsters. It's not a faithful influence (of course not, they've never even met me face to face) but it is a wave of influence that can be felt with the spirit.

Another soldier in my ongoing webcomic narrative. These soldiers as you can read are formed by memes and other things.

Next we move on to my metaphysics. I believe that cartoons have a great and majestic purpose and that this is the only explanation for the ridiculously absurd adversity I received as a teenager. (Note that nobody acknowledges this besides me, they have no alternate explanation) for instance they can draw the spiritual world. They can make physical artifacts of non-physical things. Or digital.

The current John K fandom believes no such thing. It is pathetic. they squat on their butts making nostalgic images of Ren and Stimpy, and that's it. They don't try to push to do anything daring and new as John advocated for on his blog. (How can they really be called fans if they ignore that?) There are a couple people among them I admire, fan artists and also posters, but the exception proves the rule.

They are broken by the cultures who do not want this spiritual power to be unleashed, the cultures which uplift things like political conflict, lgbtq, and disenfranchising Christians.

They associate with people who don't want Christianity to be made COOL. And with what I said about the anti-monitor, etc I have made Christianity very fucking cool indeed.

This is probably the first Epic Image I have ever seen. The meaning of an epic image is that it has much greater significance than was actually received when it was first made. It is a focal point for planning my webcomic, as if the power of the anti-monitor extending through reality through my efforts. It was also a focal point for my philosophy to explain why it's okay that it looks like he has whale teeth even though that was drawn as his face

It was very upsetting to me to remember Mari interacting with Spumdonor as I subconsciously realized he would be sabotaging her as a fan of comic books. When she said in her tweet thread that the things her haters said about her was true, he must have significantly contributed to this. This is so because he's “nice” and happened to be basically the cultural leader of the John Kay fandom. This is a status he couldn't have avoided and didn't know he had, but if he had bothered to care about me he would have learned it.

He was fearful and unmasculine, but not as much as the others. Which just makes his fearfulness and unmasculinity even worse because he became a leader. Mari felt as if everyone was against her, people like spumdonor, in comic books. Hence I must crush these cultures in response with my truth bombs about the anti-monitor, etc

As a teenager I was fearless. I should have been the leader but they rejected me in favor of anyone who appealed to mainstream culture.

Don't like seeing how this page is drawn. As a teenager I was very disapproving of the comic book art being made like Infinite Crisis which came out when I joined the comics and cartoons communities. This is so because it was a clear reality that it was not good enough. The art of the antimonitor in the original Crisis is cool as fuck, but this aesthetic tradition was not nurtured because of the many Protestants in America.

I came into artwork on a spiritual wind. There's spiritual significance to artwork nobody talked about besides me. That's not so bad because I can be an innovator.

But now that I do talk about it nobody wants to acknowledge it. It's insulting. This is so because of the mystery of artwork, which John savored. They are perverting the meaning of not speaking of things that are difficult to know.

This mystery is associated with the paranormal. One of the most memorable cartoons is the flatwoods monster, a drawing of a sighting so powerful it became a cultural sensation. As a teenager I had a great interest in the Paranormal and enjoyed Billy and Mandy which is a neglected cartoon with obvious Ren and Stimpy influence, immortalized by an adult swim executive as a “hateful fart cartoon.”

What did I just do there? It's a paranormal investigation. There was the notion that people have an issue with the existence of Billy and Mandy and it was proven by the utterance of an important figure in animation.

It's a method so simple a teenager could come up with it, and so mainstream culture needed people to abuse a teenager. It's a whole lot of projection when John's… fans of recent time talk about the accusations, as what happened to me as a teenager was so horrific that I still avoid mentioning many details anywhere.

This drawing by Ahad is similar to how I draw myself in my webcomic. Where I am 15. One of the clearest examples of influence is indeed Filia, and the actual spiritual purpose of this influence on the game is to get people used to hair Powers associated with a toothy creature, which I also have in my webcomic. Big Band, a black character, meta-acknowledges this by saying she's going to get in trouble for looking like that - predicting the censorship controversy.

On another blog I read some things about the trickster. In the animation community people were body-blocking me from discovering the Paranormal connection between cartoons and comic books and other things to spiritual dimensions, as well as the intelligent figure who surveys the Paranormal, whose charming wit can be discovered in paranormal evidence.

The Paranormal is also associated with the very concept of merit, and so this is the actual reason for the intense controversy about John's criticism which was twisted absurdly in the words of his critics. They could not acknowledge the reality of his blog posts because of the greater significance that was there. This trait has passed on to my own posts.

I earned the favor of the trickster by persisting against adversity where many had failed, becoming number one, and in the aftermath spent every day viewing heavenly spiritual visions that explained the trickster is who the black race is defined by. All of the racial conflict of the past decade comes from people not being willing to make the choices I did.

Through my spiritual apprehension I understand the moving meaning of works like Ready Player One confused as slop. Steven Spielberg is a master filmmaker and this is reflected in all his works. Animaniacs was a perversion of the sort of cartoon he wanted to be involved in making, and his desire reflected his mastery.

I could feel that there was something off about spumdonor just because he mentioned enjoying Animaniacs. To anybody before my initiative this would sound crazy, judging somebody for the cartoons he liked. But as my content has been demonstrating there is a moral arc to people's lives which goes all the way back into childhood. Indeed, he spoke of penance for his engagement with the show.

If I was much less spiritually strong it would really piss me off that many people in today's animation community have reflected the Animaniacs. Animaniacs, as one cause, created the animation community’s toxic behavior, it created grooming, it created cancel culture. There are other causes but what a cause it is. The main trio being assholes to people who usually did no wrong went into the souls of the kids who enjoyed the show and it became manifested in their adult selves. This is why when I became a teenager I insisted there was a big significance to cartoons in how kids turn out. Cartoons are formative for the soul. I couldn't explain it, but I insisted that cartoons needed to be better. And I wanted to move on after this to working at the valve company and stuff.

The notion of the Left 4 Dead director comes from the spiritual mold of the Paranormal. Above the Paranormal is the trickster and lesser figures which have mastery of paranormal creatures where they exist, directing them in a mysterious process. Just so, valve made a primitive form (objectively by the current year) of this for controlling the zombies. The Paranormal extends to all of their projects and when my efforts to advance the Paranormal were crushed, their games ceased.

When I made my article about Spumdonor, it was a scare. If you imagine people being very familiar with my content, they would be intimately familiar with 101 Dalmatians, ipgd, my scary Red dog creature, my obsession with the joker, and other such things I invoked there. But people refused to become familiar. This is a sort of prank since they refuse to become familiar with my “life memes” and now they are, which are present everywhere in my content.

But it has a serious purpose as this ComicLoverMari affair has shown. They did not want to take comic books seriously. They did not want to learn about inherently creative identities. They had bigger priorities like having a nice job for their family and no trouble keeping that job.

And so my life to them has become scary, as it extends into the ultimate consequences of what they have done. My relationships were ruined and things were ruined for other people too like Mari. It's quite surreal to see her being normal amongst all the weirdos freaking out - as is basically the same as what happened to me as a teenager.

They cannot see my dog creature, joker obsession, etc in a friendly way like I can.

Lil Wayne calls himself Batman, which is another of those comic book facts people avoid mentioning. I wouldn't want to infringe on that so to be a major Batman character I would prefer to be the Joker, who is about equally cool but the bad guy. Lil Wayne is also the major basis of my webcomic through forming the Birdman character by listening to him. John K fans don't want to talk about these crossovers.

And so yes there are various things weird about me. I got in trouble in public school for trying to make a magazine about weirdness. I believe that monsters are real and other things too, but that existence is currently distant, and as things go into the end times they will become less and less distant. I think it's a very foreboding lead-up to the actual Apocalypse, a nice little spice to add to one's expectations.

But acknowledge the person that actually am. I am not this John K fan. I am a real John K fan, maybe the only one who currently exists. The real John relates to the Paranormal and things like expressing relationships through artwork.

And if you're going to criticize me? Actually say what you mean. Don't just call me “schizo” and make me wonder if it's about me believing in monsters, or being a Christian, or believing conventional conspiracy theories, and so on and so forth. That's an abuse tactic meant to make me actually mentally and spiritually ill, but I'm too mentally and spiritually strong for that.

I intentionally left a good horror story for his followers, anticipating spumdonor freaking out. This was a way of getting people to see that I am a John K-inspired horror creative. By the methods they chose to avoid helping my Revolution they created the cultural context requiring such elaborate methods to introduce people to my work for the first time. And unless they give in to my entirely reasonable demands the spiciness of my creative memes will only get more and more intolerable for them.