The Rescuers and Watching and Dreaming
Uncovering the origin of the Collector through a narrative about an alternate Disney and my personal history, and thereby showing the way and importance of assisting children
Hidden in the cartooning traditions that have been made so far are the principles and background of rescuing children from unfortunate life situations. This eventually flourished into the movie The Rescuers. Protestant America was not willing to receive this movie at all, as they prefer to see childhood as a mere prelude to sex, and as worldly sufferings being immediately inconsequential when one goes to heaven. And so they reject the meaning and activity of substantially preserving the experiential life of childhood.
As true protestantism dissolved at the end of the 20th century, through their children they generated the context for resisting my teenage self realizing The Rescuers in real life. In order to accomplish this they needed to give me no aid whatsoever. This is why the incredibly unnatural situation of helping me with nothing and being unwilling to even acquaint themselves with me happened. It is what they needed to do to preserve the desires of protestantism.
If the 20th century had been different, a conversation could have begun about the significance of a whole organization dedicated to helping children, which could have never existed before due to the absence of the technology and ability to travel through communities to do so. This shows a road into the Multiverse.
Before The madness of the BuzzFeed story (dont RIP, bozos) Katie Rice seemed to understand her own story as being rescued from an abusive situation. I remember a comic she made about struggling to get food as a kid, which I saw around the time I reblogged her Tumblr with Strangelore about Disney Princes, which is about the only interaction I've ever actually had with her.
Because I was crushed as a teenager I could never actually put together any sort of real life system based on the strangely ignored Disney movie. In my teenage years I was putting together the internal system for how people would organize using the internet to help others in a bad living place. But I couldn't really figure out how to make it work from the context of our timeline. This mental effort was eventually plagiarized by the LGBTQ community, through an incredibly primitive system where if you identify as this crap they will give you money and other assistance like superficial friendship. They won't teach you how to actually flourish out of that bad place though, in fact they prefer to linger in mental illness and be satisfied with that for life.
People also gave each other money on the basis of race, I was waiting for Puerto Ricans to come around but hilariously enough I never saw something to reject. almost as if they were specifically avoiding “helping” Puerto Ricans where I could see it, through their collective consciousness. (For this reason and many others this made avoiding people my best way of helping others myself.)
After a decade of this sort of thing Society has been crumbling down. These insulting phenomena are not actually building society. My plan for a Rescuer system interfit with my overarching plan to improve and maintain society as a whole. You can't have just one piece, and a badly imitated piece at that. (And my substack is entering the further significance of Homestuck plagiarizing me while leaving me to suffer in isolation.)
As Tumblr culture came out of my destroyed Revolution, they moved people around Society a lot but shredded many relationships as a result. This shows the importance of metaphysical, spiritual, paranormal, and supernatural powers to my efforts. These powers are the only way to fully maintain people's relationships and life meaning.
This is why a decade later they behave in such Demented ways, they are bifurcated from The Real World.
As a teenager my experience of life was unknowingly extremely different from everyone else's. Over 10 years of observing people's recollections of life has proven that. This is one of the ways which I impressed many girls, as having something incredibly unique and meaningful to contribute to the world does that. in fact I myself had a dual soul: the powers of the image of both God and the trickster. These have a sort of separation in my spirit, two distinct images. During the end of my Revolution this is where my near death experience came from, as my African soul “died” and connected me to the afterlife.
This is why I can see things other people cannot see, and do things like expand on the powers of things such as cartoons so that people begin experiencing things I have already been experiencing since I was a teenager or even from early childhood.
It took an enormous amount of effort to stave off my teenage self, including things such as incredibly personal offenses involving things that are personal to me such as Dead Space. This shows that back then I already had Cosmic power. And this is the inspiration of The Collector.
The Collector is associated with the archivists, thereby symbolically associating him with a cosmic creative order who have the duty of preserving people's stories. This is another type of being associated with human creativity beside the creative spirits like the green snake, who organize stories upon the Earth. So related, Andrew with Homestuck made a similar kind of character with the baby skeleton angels, in an incredibly crude rendition coming from the tradition of men of this timeline not being able to understand my presence. In comparison Dana's work is actually accurate.
The Collector has a split appearance and moon motif representing my Cosmic task of introducing the revitalizing black domain. He is ignorant, confused, and comes from a cosmic background of severe dislike. This accurately reflects my 15 year old self in another dreamform.
King the first dreamform represents Underdog, and my various personal identities can separate and interact proceeding from my personal affinity for replacing one identity with another and those identities also growing in the spiritual and cosmic background.
The Collector, king, Belos, and other characters depict a conflict between my Cosmic monsters, evil spirits who are allied with Protestants, and other factions in space and the cosmos. This all proceeds out of what Dana Terrace could grasp herself without me emerging into the animation community. The profundity of the final special to these symbols is strong evidence of her connecting with me online after I harshly criticized her show. In fact the only permanent ban I have received from my activities on 4chan was for criticizing the owl house, which was later revoked. This ban is psychological evidence that people recognize the connection between me and the show.
One of the reasons why my teenage self was resisted was the way I intended to make use of others, and I did not see any reason for people to be offended by it. One of the most notable sequences in Homestuck involves the skeleton angel telling Dirk to draw his friends getting close with each other, becoming excited as if it is porn, while being mocked by Dirk who talks about chewing off duct tape. This represents the desire to organize bringing people together through creativity, and this segment is creative evidence of a motivation for spiting my teenage self as he proceeded from the Cosmos. Through connection it also is evidence of preferring porn to wholesome things such as The Rescuers.
Despite this Dana organized her team to echo the experiences of my teenage self and as my efforts crumbled into adulthood. Collector speaks to Belos of being thrown off a bridge, which evokes attempting suicide by going to a bridge to jump off it in a real life metaphor of leaving what I had artistically contributed to the world by dying. I was stopped by a policeman. This scene represents my African self confronting Protestants associated with evil spirits in the afterlife.
Collector in another scene tries to reason with Belos “like Steven,” which represents my teenage self trying to convince people to accept my Revolution without knowing that Protestants had intended to subvert it all along, since Martin Luther. The Titanic skeleton form also represents the children of Protestants like Homestuck fans trying to steal from what they had attempted to banish from the world.
The title of the special Watching and Dreaming represents what I did since those experiences, simply looking at people's lives online while thinking of cosmic visions. In this way I spent about 10 years simply putting together a Cosmic assault upon planet Earth for what had happened. This special constitutes a sort of response to this situation which has been directly brewing for years.
Dana did not know about these various things. Growing up swaddled in ignorance, she was very interested in the things pointed out on John K's blog and elsewhere but lacked the framework for understanding them, and the industry community was not receptive. Slowly she began to put the various symbols together for finally making a show of her own, and my online activity actualized them for the finale, and so now I have been reading them.
Not only is this assistance given at last to my teenage self, and within the bosom of the protestantized Disney company, it also contextualizes the spiritual background of my undone Rescuers initiative. Within the lower Cosmos the life stories of humans are precious things, providing such a creature as the collectors a motivation for obsessing over them. (Or the green skeletons for that matter.) The childhoods of kids or the stories of adults are not meaningless at all as the heretics said, they have ultimately eternal importance.
This also shows another reason for associating Dana's latest ideas with Homestuck besides I discussed in previous articles, as they are both invoking Cosmic things with various degrees of accuracy. Different Cosmic species in this instance.
This finale depicts Dana's fantasy of the orbiting Ring constructions of the Underrealm, constructed from the corpse of a giant evil spirit, the Owl House, Steven Universe, and other works themselves existing in a Ring formation. After being pressured by my darkmode Cosmic presence she chose to defect as the Disney company grumbled and complained about what they have been made to make for no conventional rational reason. (Lack of financial success doesn't count because there's plenty of those that don't get grumbled about)
My recent activities have themselves sought to rescue Katie and Robyn from what they had done as it brought no actual good to their lives. The meaning of their lives lies within cartoons, and whatever they reflect about their past is not a solution to their problems. Possibly speaking of the Disney Prince made an impression upon Katie's psychology, which proceeds out of an alternate United States where Disney was not overwhelmed by anti-greatness Protestants.
Dana Terrace chose to participate in this alternate tradition which The Rescuers is a part of, thereby undoing our own timeline and causing structural damage to its unity. The true meaning of cartoons develops throughout one's life, that is their intention. And so now we will begin to see what this development really is.