My new letter about Homestuck

A new post to send out describing the cosmic project I embarked upon as a teenager and how it meant a drastic backlash from the mainstream world like Homestuck.

This song autoplayed and was liked after I had finished this and added the Oppenheimer link

Hello. Absolutely everybody involved in the history of homestuck's production and reading refuses to have any conversations with me and so I must send this letter out to nobody in particular. As a teenager in 2006 when I was 15 I started setting up ideas on the internet such as new methods of making artwork. When Homestuck was made it spoiled, pillaged, and badly plagiarized this effort I did in poverty. It did so especially by drawing in those I directly inspired like my best friend who joined the team, ipgd, or Coelasquid, a /co/mrade upon 4chan who is one of the most notable people in the animation industry from the past decade.

I am a horror creative and for all the time before the past few years nobody ever even bothered to figure that out, because they preferred to support Homestuck. Homestuck was made by a wealthy white dude who flattered his fan base while pretending to make fun of them, meanwhile I am a Catholic with a strong passion for the subjects of Hell and I express that in everything. In comparison Homestuck was a phony heaven, but of course that tapered off pretty quick over the years, nobody feels that way about homestuck anymore.

The Becquerel character who makes up one of the villains was a poor depiction of my own character. This dog character inspired the creepypasta Smiledog and the associated shock image looks pretty similar to the comic book I was planning in my own mind. The topic here is a useful case study, as I previously could not discuss my dog in connection with Smiledog as it would lead people to believe I am literally talking about the creepypasta. In reality it is merely one instance of my dog, which is a meta-artistic organism.

As a teenager I intended to introduce the Paranormal and as I did so I ran up against the true meaning of doing so. I was mentally transported to the mind of the Trickster, who is the reigning intelligence over the Paranormal. All the details of my teenage existence, clash with the makers of Homestuck, and everything else I discuss in my articles and other content is interwoven with the tricks of this supernatural figure. These tricks are interwoven throughout the world immaterially, and by reading my articles you can see some tricks, usually small ones, being unveiled.

This intelligence is an active participant with God, like the angels but a much bigger deal than an angel. If you look at the chapter map of Homestuck you see things like the subtitle “Of Gods and Tricksters” which was a form of psychological abuse against my younger self and anyone like me, as what is actually contained in that sub chapter is some stupid stuff about candy. The trickster is connected to Halloween and therefore candy, but of course I was interested in the real story, not candy. I planned to tell the real story in 2011 but the mountain of opposition I faced crushed my efforts.

This psychological abuse extends to all black people and Homestuck gained the reputation as being infamous for anti-black racism. The actual reasons for this people gave were not very impressive, but the reputation was strong. When you look at race people see the interconnection of humanness but also a special significance to race itself and its subdivisions like ethnicity. The significance cannot really be explained by historical contingencies as then in our globalized age they would evaporate. But they have not.

Race according to Cosmic theology I have invented is a secondary identity of about 13 types. Each type is defined by a different Cosmic figure - including God himself and the Trickster. This design creates a situation of essential diplomacy as people have individual identities that Express interactions which proceed into the Cosmos. The Cosmos is where various spiritual dimensions blend together including existence itself which is God and his dimension. Through race God creates Cosmic Harmony which allows his own kingdom to become strongly aligned with friendly kingdoms. The black kingdom is ruled by the trickster and two other figures.

Homestuck was an attack on this. The other main villain Caliborn represents a black “angel”, although this type of Angel is essentially different than God's angels. As only God has the spiritual dimension of existence this other type of angel is not defined by being existent. Instead this other type of angel is defined by the twin domains of the trickster, mystery and story.

And so by making fiction people participate in the domain of the trickster, they can respond to the trickster and his angels and his creations and his other things. The trickster does exist, and so through his Cosmic mind he imbues all of his legions with a relation to existence. As the destroyer-type angel Caliborn represented what I was doing as a teenager in the late 00s, destroying the prior conception of artwork completely so as to bring in the new conception defined by the trickster.

Besides his connection to artwork he is also primarily about mystery, and so I did not actually know I was consciously doing this, but I did know I consciously wanted to introduce the Paranormal to show up skeptics and atheists. It turned out this was too much for the world to handle and so there's a circuitous route to me carrying out my original plan.

I could not expect any sort of help for my problems because Caliborn symbolized them all. He struggled to make friends, he was lonely, he was fixated on cute aesthetics while being both cute and monstrous himself. He separated from his “sister” (really meaning my best friend ipgd, who joined the team soon after these two were introduced) in order to carry out his plan of destruction guided by a voice who transmitted messages upon a screen. (I also looked at a computer in my own mind for about 8 years, doing things like reading a version of my own webcomic Hauntlyre made in the future during the end times. The transmission tower in Caliborn’s story represents these visions, which reminds me of the transmission theory from believers in parapsychology)

And so like the baby destroyer angel which is the best part of Homestuck, I simply stayed by myself for 10 years “getting ripped.” people avoid reading my posts because I have gained a great deal of power I can use by simply writing. Which goes back to me inspiring others by writing as a teenager. People did not notice this part of Lord English but I have fully fleshed out this villain because Andrew didn't actually come up with him. He just assembled together some information about him, being what is called “a potato boy” which I will make an article about soon.

Various artists attached to Homestuck both directly and indirectly imbued it with a life that would not exist without them. On his own Andrew was nasty and struggled to do things like draw cutely. Various artists mostly female put a vibrant Spirit into how they drew the characters which does not properly belong to the project. A good example of the indirect is the animation storyboarder batty, who is so good she helped me figure out how my own aesthetics worked.

Being a connection between God's white domain and the trickster’s black domain I am connected between being a human and being one of the trickster’s creatures like a monster. This led to the conception of undertale. I cut myself off from everybody involved in Homestuck as I believed none of them gave a damn, in 2014. This is the very same time which fandom consensus says Homestuck turned to total crap.

The idea of it being important to accept monsters would have seemed silly and irrational. But only because my comic book anomalous phenomena was not made in 2011 did things seem that way. The TV show Grimm is a Multiversal Artifact of people proceeding out of my comic book to do a full-bodied exploration into the Paranormal, the show being about an exploration into being a paranormal cop and the world in which he lives. This world is immediately adjacent to the normal world, which symbolizes in real life how the trickster's dimension is adjacent to God's dimension. They're closely connected because he is dependent upon the knowledge of God and other things of God's.

Undertale, like Grimm, aimed to produce empathy for the stranger creatures of the world for metaphysical reasons. But on top of those reasons in undertale is a personal reason. I knew that ipgd would not be able to function properly without me just as I would not be able to function properly without her. She was friends with Toby and making this video game was the most he could do to fix the situation.

But the bulk of his fandom are assholes who don't care about this message. None of them have bothered to discuss my friend. The ones who would be willing know that the majority would freak out like a bugged computer program if they did so.

This is so because there's a massive amount of cultural inertia going against me and everything associated with me. This goes back into lost ages as Lord of the Rings was about. Most everything about my efforts is dependent upon Lord of the Rings, and my own works are centered around Cosmic Rings.

I will tell the stories of these lost ages and other things in my webcomic. More pressingly relevant is protestantism. I aim to put an end to the condition of believing that Protestants and Catholics have a benign relationship. In fact what Protestants were protesting was the Cosmos, as life is a lot easier if they disregard it. The trickster's domain is associated with a difficult life because if you proceed into difficulty he will reward you according - exactly - to your merit. When Protestants went against works they weren't just doing so in reference to God, they are also doing so in reference to the trickster, as works are everything for humans participating in his world.

And so out of the Protestant schism social justice was eventually formed. Doing so in a certain time and certain place because their true conflict is a spiritual conflict centered around the second millennium. Social justice did things like try to bring equity to black people and also others. This is destructive to their racial identity because they thrive in overcoming difficulty because they are the humans most connected to the black domain. This can be easily seen in rap music which creates a symphony about how the rapper has overcome poverty and other challenges like his opponents in the rap game. I knew pretty quick that social justice would destroy rap music, and “mumble rap” is a fitting symbol that most rappers these days are mumbling about their racial identity because if they speak louder they will get in trouble with the mainstream. Their work is trash as a result.

“Racists” as people besides me conceptualized would make fun of black people for growing up wanting to be a rapper, but there was something to learn from that. They should have met the challenge of showing up racist jokes and insults. Because when people in poverty listen to rap music they hear something magical which is the voice of the Birdman, another ruling figure beside the trickster. They don't actually need to literally become a rapper to follow the dream which the rap inspires. The Birdman is in fact associated with all of Cinema and through his mind creates a meta-reality which great viewers of movies can experience, producing some good memes here and there.

Instead of literally becoming a rapper I became a poster, helping to create on 4chan the whole form of the post. I actually believe that posting is an art form from ancient Africa and that I have recreated it in the present, properly. When I sought to inspire others, I made posts, and these posts were like signposts of how to navigate the invisible black terrain of making better cartoons and also other artwork. And so 1. I can tell when people are benefiting from my posts going all the way back to 2006 2. People like Homestuck fans and animation industry people freak out when they see me writing anything because they know I could post at any time to make a big effect, like smacking billiard balls.

And so I end this post. My designs keep ramping up as I test again and again how reasonable people are. I have decided to go against Lackadaisy because I will negate everything associated with my teenage efforts even if I like it until people own up to the extraordinary nature of my existence back in that decade. It is very simple to improve in response to my posts and thereby improved Society, which is to simply care about human interconnection, spiritual reality and God.

This exposed their tactic of making me wonder if I will receive empathy, since I habitually wait a while to respond after receiving a message. Such pettiness develops attitudes that became fossilized after Homestuck and other aspects of 2012 Tumblr culture crumbled apart, and so I see it as simply progress.