Synopsis of CH1:CH1:CH1 and an interaction in John K's comments
Analyzing the meaning of deploying this synopsis, associated music, and how I tried to explain that tiny toons artwork spoke out of the voice of cosmic horror, but couldn't as a teenager.
Eternal Prelude continues with a synopsis page.
Before I made my article about Cosmic theology, dark storm clouds rolled in as I walked towards them home. When I got home, it immediately showered. This also connects to βlooking to the skyβ. And again real life became more cinematic. Back in the days of Jesus, if there had been an abstract phenomenon creating cinematic experiences in real life, this would have been difficult to distinguish from God creating a sign through weather. But we don't live in those days. They didn't even know what cinema was.
As a teenager, this process had began with the arrival of things like Dead Space, which framed my upcoming end of my Revolution and life difficulties. This collapsed pop culture psychology as they adopted a variety of derangements like political ones to avoid the meaning of the pop culture events taking place involving things like the music of Lil Wayne. Creating a false and schizophrenic future for the arts dictated by insane conflict sedated by trivial pleasures like watching a character who represents some of their enemies getting beaten up.
When I withdrew into total isolation, avoiding my best friend and everyone else, I commemorated this with a tweet on 1:11pm signifying the initiation of βmy most perfect maneuver.β This has resolved itself to referring to this opening tertiary chapter and this synopsis for it. A fifth dimensional connection to this moment, which has brought many things as part of the maneuver.
As they embarked into the false future they experienced what the real one was. I started my deviantART with a ballad speaking of John K marching against βa great formless legion writhing in cartoondom's heart.β In response a /co/ poster said I was the βGod of trolls.β This was both a reference to Homestuck as it describes the Doc Scratch character as well as the racist sense of the term troll as in my article. The beginning of my webcomic goes full circle back to this activity for my Revolution when people refused to receive it or understand it, but I have been forcing them to. At first I spoke of its rotted heart, but I thought that sounded melodramatic.
This illustrates that they got angry simply because of what my Revolution meant, which was not being a bunch of idiots lazily consuming products. Disney more and more became a place of complete consumption as it fulfilled their choice, no meaningful stories, but an endless succession of products.
This song made a big impression on me as a youth in how hard it went, and presents a source for Andrew Hussie plagiarizing Lord English and related concepts by listening to rap music - badly. This was musical architecture going from artist to artist and song to song organized by The Birdman for the black Renaissance of the late 00s.
The other choice would have meant actually seeing what they had been enjoying for what it was. Once there was a blog post by John about some Tiny Toons drawings. I laughed and called it bad and we had an exchange about it.
The thing is that I wasn't actually speaking about the drawing skill. The Tiny Toons look like tormented souls, and so this was actually an expression of Eddie Fitzgerald being a great cartoonist. Since people refused to help me develop my artistic philosophy, when I said that a drawing was bad because the drawing skill was bad and when I said that a drawing was bad because it illustrated bad things like the spirit of evil or the torment of evil it was all just blended together.
Eddie worked on Tiny Toons but he didn't believe in it, and that was reflected in his work. This is the expression of the soul which gave the games studio so much trouble, as their souls were mostly rotten. Most of the people who went into the animation industry identified with games even though they couldn't say their work was actually good, as they had even more rotten souls.
Broken glass is the kind of music known to be associated with feminism, but yet again Cosmic symbols are simply being misused for worldly ideologies, and some people would prefer the Cosmic meaning to the worldly meaning, and evidence of their preference can be found in their good creativity. One of my most traumatic recent memories is another of her songs Fight Song being questioned about βthat horrible musicβ on conservative Twitter - this is the sort of thing which animation students tried to taunt me about, but now this has been silenced because I'm destroying their senses of aesthetics through cultural annihilation. The songs most appropriate to being canonized for my webcomic tend to but not always have very few views, which is an example of creative oppression.
The rottenness of Tiny Toons is expressed through the very concept. By itself, it is simply stupid to portray cartoon comedy as about anvils dropping on heads. But when you're a bad kid, you go into adulthood afraid of being punished for the bad things you have done and continue to do, especially when they were hidden as in childhood. This notion is biblically portrayed with the millstones. And so the Tiny Toons writers were expressing animosity for the message of Jesus. And so when I went to the animation community I could point out all the ways in which they were contradicting the teachings of Jesus, but they were intentionally trooping forth against them, trying to explain why they βthinkβ they are wrong. A lot of people watched that show and decided that anvils dropping on heads weren't funny. Thereby soiling the symbol of a punishment. And thereby animation industry people anticipated that they deserved the punishment of the millstone, already aware of the justice.
They obsessed over the anvil symbol to try to ruin it, because they knew that some form of Justice should be coming to then for how they ruin things for children. In the past decade, this has progressed to animation students trying to get angry at me for not letting animation be about pushing their perverse desires on innocent minds. They went down a bad path and tried to push as hard as they could for βvictory.β
The nature of our conflict was always very simple and easy to see, an extension of the fact that there is no excuse for not believing in God, that there is no excuse for not seeing the things of children as sacred and needing to be perfected. Children come out of a primordial state in which the most transcendent things in life float as symbols. In response to the uplifting and actualization of those symbols to become an embodied and robust part of life the most violent cruel actions were taken by some of the worst beings I have ever seen. Albeit in the blink of an eye they will wonder if they had ever lived at all. Just one careful look, and a blink, all it takes.
The previous paragraph morphed into the voice of the trickster. The writer of this message went to sleep and as a test was given a dream about going to prison for a year to get heat off his back, and while there started to deal with an unstoppable space clown virus. He thought of how much sense it made and only gave up on it because real life people were waiting on him, and immediately woke up get rid of the dream. That is the level of selflessness you look at here.