Sidestory to Wish's Humiliating Fantasy: Lesbians versus Compassion
Explaining the emotional history behind Asha's plan, I name and shame Amber and Shelby for their activity in ruining my life, validating how I perceived them according to my spiritual visions.
Eternal Prelude continues by intersecting with Ava’s Demon: “The demon clamored around, building lost experiences like a dragon's horde, and became one. It settled in to sleep, in the embers of lost voices.”
“You need a fag to come tear a new hole in my ass” relates to how animation Zoomers come to harass me when I don't email industry people as my emails destabilize their discourse which powers the behavior of the Zoomers. Seeking to express the entitlement of the industry while spewing things personally offensive to me, it seeks to make my post-Revolution self a creative resource by extracting creative inspiration with such violations. Which proves once and for all that accomplished people like myself or Eminem deserve to be rich, as this sort of behavior he has encountered is nowhere near so atrocious.
I have greatly expanded on my ability to understand rap through the principles of my Revolution. It completely does away with the narrative that black people are oppressed, as everything in the music has a Transcendent meaning, even the ghetto drug etc stuff. As black is associated with the blackness of the Earth, the “profanity” of the music hides the beauty amongst it, the music and the real things. And as the trickster returns, that greatly refurbishes and restores the blackness of the earth, so as to uplift the poetic meaning out of the more undesirable things like hard drugs.
Wish's Colossal Error
Previous. In 2012, people treated me like I was anybody else, but I was in poverty with constant home life problems and no money. Quite the trick. And so their perceptions became imprinted on their consciousness and culture. I wasn't just some poor person, I was powerful and influential. In a way, that was true, but not a way that could exist off of the internet.
And so when my life with ipgd fell apart, that was “normal,” not the desperate agony of a young man who had apparated a whole subculture out of nothing, sacrificing a conventional career and making many enemies to do so. My grandmother became permanently psychotic due to being one of the villains of my Revolution although I never explained that, serving as a representative for all the others.
This was recounted in many tales of “misogyny” over the years. In reality I was inspired by Sarah Connor, Ellen Ripley, The Boss, and my own mother to make very important female characters for my works. My planned first big video game performs a bait and switch like Metroid to do its best to make people think they're playing a normal action game, but it revolves around the relationship with the girlfriend. None of this was reflected in the enraged entitlement of people like Shelby and Amber who worked hard to ruin my life within Homestuck and Steven Universe because I didn't care about their lesbian self-interest. Of course lesbians are the opposite of the women I admire and create.
Leaving two of her profiles with such messages is a communication tool possibly inspired by ipgd's birthday interaction on her profile, a truly bitchy thing to do.
In people's minds women had attained “liberation”, but in reality all their talk of being girlbosses was a middle finger towards myself about The Boss. Her death scene is a Garden of Eden event symbolizing the Joy of war falling apart into bitter conflict. Doing the patriotic thing, but at the cost of compassion and meaning. A tragedy of competing goods.
To allow the series to be defined by her presence is an illustration of those duties women perform, like managing conflict by making it compassionate and meaningful. Most prefer the ease of advocating for pacifism, not doing conflict at all. And so Metal Gear Solid became “gay” by disregarding this meaning, which reflects the inherent purpose of gay activity. Just so, Homestuck became gay by disregarding how it relates to my relationship with ipgd. Just as undertale became non-binary and gay by doing that. And Steven Universe became gay by disregarding the connection to my Cosmic Ring monsters. And the Owl House became gay by disregarding the profound symbol of magic to represent things like what I did as a teenager. Gay is not personal, gay is not hard, gay does not challenge Society, they just feel challenged because it is unnatural.
When the Protestants spoke of sexual complementarity, they made it sound exceptionally lame. The men go to work and read the newspaper and likely don't even work out, they just look at the football and see other men exert themselves. And through such framing gay and cuckold mentalities are formed. I disturbed people in religious discussions for my observations like that sports is combat practice during peacetime, which is common sense to me. Televised sports becomes pornography for what men wish they could do - even gatekept from enjoying their true desires like combat - out of this cultural background, and so created sentiments among liberal youth that their identities and desires were being suffocated.
The lyrics started hitting hard during my previous paragraph which is one of the reasons why I put my songs in my articles. Tupac names as what “never changes” presenting an alternative, but others stay with dope. This communicates that there will always be occasions where an alternative to “dope” will be invented or developed, but some will refrain from choosing it at first, as blackness is associated with eternal advancement. After all there's a whole “game” associated with it, and that game needs to gradually come to an end. This dope could be incomprehensively good from our perspective, but within its context it is still dope. And so things like rap music are supposed to help us see the good of things like dope as an intrinsic negative concept for things that serve a purpose at the current time. Failing to see this accurately led to people advocating for acceptance of drug dealers and addicts, as after all it's pretty similar to many legal pharmaceutical drugs that white people prefer
On the other hand women in this Boomer culture were cast as naggers aiming to drag away men and women from what they naturally and supernaturally enjoy. They were supposed to have nothing to do with things like fighting and aggression - but women have that too, they just consistently express that indirectly. Wanting a big and strong man counts and many other things. Cutting them off from healthy expression led to embracing abortion and cancel culture. The first can even lead to aggression against aborted infants, like a woman who was just being discussed on X taking the side of her dog while attacking a child, stomping down her guilt about her abortion. The second leads to extreme psychosis over extremely minor things like saying a bad word - regardless of what it is, boys will say and do offensive things just to be offensive. I was coming up with jokes about abortion as a teenager at the same time that I was developing into the ultimate abortion hater, including abstract abortions, and my whole liberal atheist identity collapsed due to having to accept abortion. It doesn't actually mean anything on its own, it's an individual expression for people to appreciate in their personal lives.
And so gradually people of 2012 Tumblr culture, and the protoculture in which it developed involving much female onanism of my artistic inspiration, needed to adjust to how many of their femininely aggressive actions directly involved me. All of their strawman characters of the tens had something to do with me, as I had become a part of the foundation of Internet identity to live eternally in Legends. Caliborn, Simon, and others refract first out of personal drama like myself having no concern for the input of women during my Revolution. I was becoming the authority in many facets of their lives, and what I would eventually be will not change.
And so against Caliborn, Tumblr meme men, and others they developed legitimate relationships with myself. Sometimes on HSG they would get aggressive in speaking of Jake English and Caliborn to express awareness of this, I suspect including artists like Batty. People like her did so correctly, even in the “embarrassing” way I am reflected by her work, which is simply honest.
Meanwhile the deranged lesbian fantasies of people like Amber are so off that when people refused to respond to my Initiative, it must have been done largely in consideration of their feelings to be so wrong. When I see that the Multiverse involves myself coexisting with LGBTQ normally, that is itself a punishment for how wrong they got things in this timeline before the other timelines. To not go down hard on LGBTQ uplifts the value of being against abortion, which is particularly useful as an act of love for my future Cosmic horror nightmare creatures, the same morality of abortion applies to them against anybody who would want to “abort” them.
Their lesbian fantasy was for their enemies to be “homophobes”, but I didn't give a crap until gay furries started involving me in their sexual activity, seeking to damage the creativity of my mind with their animalistic intrusions. They were directly created by people like Amber in their demented fantasies, women acting on having the primary responsibility in creating the social life of men. I was fine with being friends with dudes like Ahab, but that would develop men away from gayness towards being very demanding for the type of woman who becomes a lesbian.
And it may very well be true that this large boy would be perfectly fine if my Revolution was accepted, and so this was an indirect assault upon other women by women like Amber too selfish to give up their onanism.
Asha’s idiotic plan
And so the story they were trying to tell for Asha was tearing down a man like myself at the same time I was trying to explain how good Kingdom Hearts was in my imagination so as to uplift the culture. It's basically a fairy tale recounting women like the evil ones of Homestuck getting very angry at me not “helping their dreams.”
Well I was helping dreams. I was helping the dream of Michelle of Ava's Demon in establishing a relationship with my cosmic Dark Transcendent form. As a teenager, men were yelling at me what I was comparing work of the industries to. I was comparing it to the work inside my imagination and spiritual visions, which blended together. Michelle actually extracted this aesthetic amongst other aesthetics, while men and the women they represented were whining in entitlement.
They recognized I was being very aggressive against women, but it's unlikely they noticed the kind of man being aggressive was basically brand new in history, as it is part of the natural order and I was actualizing my type, the Birdman type. They naturally reacted, and the gradual realization of what had actually taken place to produce my BirdFlights around the internet led to years of sympathy and support from women like Michelle.
The Birdman style of consciousness is not something that everybody has access to, although they coexist with it. And so the makers of Wish were not so calamitous as to deny that myself through Magnifico had hardship and love. And at the same time they presented the complaint of Tumblr lesbians that I severed them from nourishing their lives with my Cosmic setting while my real goal was to fix America and uplift the entire world.
Amber reflects that perception of myself I knew well during long years that I was high and mighty on life, showing that they know what I dedicated myself to is most important in life. My mastermind moves are a part of God's Providence, and so if people don't like them their real problem is with Him. I referred to my art as “poo” as an expression that it was produced by my protomonsters who are like scarabs. At the same time that I was harshly critiquing the culture I was producing things like my video game where a psychic superspy looks for his girlfriend. The girlfriend character also represents my drive to discover and nourish the true life that buoys art which escapes the mechanisms of the mainstream world to understand it. Willing to cut down anyone in my way, even teammates and mentors, as nothing is as important as preventing that loss. If God hadn't put me in his Providence, the disaster of my absence amongst the heartless devastation of Protestants throughout the Arts would be unallowable.
And so the grievance against “manic pixie dream girls” is that they allow themselves to be buoyed by the whims of fate and authority, which is immensely pleasing to men because they are being so helpful through reacting to them. What my female enemies missed out on was myself doing the exact same thing in reverse, creating a new era that will retroactively have existed since 2009 when their weeds are dead and gone. Andrew led them by having John Egbert cry out against Caliborn that girls had their own adventures in their only “good versus evil” clash. Well women like Batty and Coelasquid did, women like Andrew's lesbian friends have had their life adventures utterly Frozen. They have been refuted by the standard of their own webcomic.
Fuck you Amber and Shelby, for your stupid Andrew Hussie-officiated “marriage.” When Catholics find out about this story in a large number I hope it is mortifying for women like yourselves. Next part when it’s made
This is the song I played to commemorate going into isolation, imagining it as between myself and my dog creature in a stranger form. In retrospect it displays the meaning of that event in the lyrics.
A “regular bitch” can signify Amber not being special, as being trans was a dim imitation of my identity augments like myself and ipgd or myself and my dog creature. “Wifey” a direct shot at the lesbians.
“Feeding her fast food” signifies junk, meanwhile I fed ipgd treasure like concepts for my works, which did things like infest Homestuck to be useful to me. “Keeping her icy”, gradually freezing after I went into isolation from quite literally cosmic aspirations at the beginning.
There's more: “sell records but not my soul” signifies wanting to do big things within this world but not while conceding to Satan, hence the isolation Caliborn pathway.
The post-chorus matches my internal dialogue, seeing ipgd as some strange angel pitch-perfect out of the heavens to be my best friend. If it wasn't for extreme drastic moves like scrambling people's perception of me as defense, she would have been much more helpful during my long experiences.
“Crazy”, the Homestuck people had ‘hail Satan’ ‘evil’ attitudes reflected even in things like their avatars to this day, but after all that happened they were just assholes who took advantage of an extraordinary spiritual development at the beginning of it, like being nasty to a fetus. “Ain't sayin shit” one of my biggest insults is that people like them have nothing meaningful to say, as they were merely exploiting the flow of my artistic inspiration to do bad things. The A to the K line is real important, the first letters of myself and ipgd's real names, hence my fondness for Caliborn wielding an AK 47, which connects to the music of Lil Wayne. Amongst other things, there is the end of finally mayhem unleashed through this article about the day my mom's cat Bozo died.
I consider 50 Cent the rapper to introduce the 5th Dimension, and so it's natural for him to retroactively incorporate the meaning of our connection into his raps. Another two decades really is patiently waiting.